Sony A7s II + 24-70mm f4
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  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4
  • Sony A7s II + 24-70mm f4

Sony Alpha 7s II + 24-70mm f4

Sony A7s II + 24-70mm f4

The SONY A7s II + 24-70mm f4,It is an ideal pair since you can take advantage of the incredible quality of the crystals with the image stabilization to five axes so it has the camera. Or maybe you prefer for video. With its ability to record at 4K without pixel clustering. Even if you decide to use an ISO 100-102,400 offered by the camera, the lens offers an f4 brightness. This kit is a winning combination.

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Sony A7s II + 24-70mm f4

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Sony A7s II + 24-70mm f4

There are many features to highlight of this new camera SONY Alpha 7 S II, it is the model as the manufacturer likes to call SONY ILCE-7SM2 and we will point out the highlights of this fantastic mirrorless camera

It is a full-size or Full Frame Exmor CMOS sensor camera with a resolution of 12.2 million pixels, powered by a spectacular BIONZ X type image processor

With an incredible ability to adjust ISO values unimaginable a few years ago, you can naturally choose between 100 to 102,400 ISO, maintaining incredible results in the quality / noise ratio, as well as you can choose, expand these values in a digital way to the spectacular 50-409,600 ISO

It has also been possible to improve the recording of video in 4K quality with full pixel reading and without pixel grouping in such a way that the resulting files are of much higher quality, It is possible to eliminate in a very interesting way the moiré effect and aliasing. You can also generate files in Full HD up to 120 FPS, as well as be able to work with 4:2:0 output.

And of course it is compatible with external recorders, type Atomos Shoghun with these you will get an output of the type 4: 2: 2

As happened in the sisters of the series SONY Alpha 7, this version of the SONY Alpha 7s Mark II incorporates a spectacular 5-axis image stabilizer, which makes it very effective in recordings that you decide to make by pulse, getting balanced and high quality images, especially useful when using tele or cinema type lenses, correcting both horizontal and vertical shakes, being effective the five axes, whatever the lens mounted even with adapters and lenses of other brands

The camera comes equipped with an eye-level monitor of 1.3 Cm. and size with a magnification of 0.78x and is of the OLED XGA type, this viewfinder is composed of 4 lenses of the spherical type, offering 100% of the coverage and adding the data with which you have configured the camera, to have absolute control with an incredible color fidelity; so I ate a large viewfinder screen on the back of the camera of 7.5 CM of the TFT type with more than 1.2 Million point allow you a view of different angles, being foldable up to 107º up as well as 41 down, ideal for the most uncomfortable recording positions

Another of the highlights of this camera SONY A7s II, is its high dynamic range capable of working with profiles such as S-LOG-3, S-Gamut3, S-log3 and S-Gamut3.Cine, having total control of the color of your most professional recordings, all these profiles are paired well under a Cineon-type editing environment, the most used in professional fields If you are more traditional and prefer to use the classic S-Log2 profiles are equally available

Of course the camera still retains the essence of SONY Alpha 7, that is, it is still a very small and portable camera, it also incorporates these equally remarkable functions.

Enhanced Zebra possibility to work with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. And at the other end we would have the possibility of Gamma Display Assist, showing on this occasion a natural contrast when recording in S-Log

You will also have the option to record with time codes, to facilitate your post-production work, with Record Run type variants, and the free travel, these time codes are also taken out through the HDMI

Of course it is a connected camera, through WiFi and NFC, in such a way that you can have the availability of the images immediately to your mobile devices


SONY 24-70mm f4 Carl ZEISS Vario Tessar T OSS

The optical performance and range from 24 to 70mm of this Vario-Tessar ZEISS® design® form the perfect match for E-mount and full-frame bodies. In addition to the image quality superior at all focal lengths, it provides a versatile zoom range in a compact lens that brings out the best in α7 series bodies to photograph a wide variety of subjects.

Five aspherical elements and an ED glass element in state-of-the-art optics suppress distortion to deliver excellent sharpness and quality rendering across the full zoom range. ZEISS®'s renowned T* coating controls reflections for superior contrast, while the circular aperture helps create a soft background bokeh effect with natural touches of light.

F4's constant aperture at all focal lengths means the user can zoom in and shoot at any aperture without needing to modify exposure or depth of field settings, and thus concentrate on shooting rather than technical details.

Built-in optical SteadyShot image stabilization compensates for camera movement causing blurry images when shooting handheld. Night scenes or low-lit indoor shots can be clearly and clearly immortalized without the need to excessively increase ISO sensitivity, eliminating the risk of higher noise.

T* ZEISS® coating is a feature that helps effectively eliminate false reflections that can decrease overall image quality. Minimize glare and overlay images for enhanced color and contrast that give images a deep three-dimensional feel.

Lenses made of conventional optical glass struggle with chromatic distortion as the focal length increases. Ultra-low dispersion glass counteracts these problems by providing superior contrast and color quality across the entire focal length, even with large aperture settings.

The circular design of seven sheets allows a more uniform and natural blur in your images. Be creative with artistic blurring or "bokeh" and greater control over depth of field.

Reliable operation in a wide variety of conditions is guaranteed by a design that prevents dust and moisture from entering the lens.

Target Specifications Assembly SONY E-mount
  Format 35 mm full frame
  Focal length (mm) 24-70 mm
  Focal length equivalent to 35 mm (APS-C) 36-105 mm
  Lens groups/elements 10/12
  Viewing angle (35 mm) 84°-34°
  Viewing Angle (APS-C) 61°-23°
  Maximum aperture (F) 4
  Minimum aperture (F) 22
  Opening sheets 7
  Circular aperture Yes
  Minimum focusing distance 0.4 m (1.32 ft)
  Maximum magnification ratio (x) 0.20x
  Filter diameter (mm) 67 mm
  Image Stabilization (SteadyShot) Optical SteadyShot
Size and weight Dimensions (W x H x D) 73 x 94.5 mm (2-7/8 x 3-3/4 in.)
  Weight 426 g (15.1 oz)
FP-000010078

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