Sony FX3 + 12-24mm f2.8 GM

Sony FX3 + 12-24mm GM

Sony FX3 + 12-24mm GM the most compact Cienma Line camera has been designed for solo shooting. With the internal cooling system, the FX3 can extend the running time and will be able to cover a greater variety of shooting situations. It shoots with outstanding full-frame 4K quality up to 120p with minimal rolling shutter, excellent low-light capabilities (up to 409,800 ISO) and a wide dynamic range thanks to its 10.2 MP Exmor R CMOS sensor and the new Bionz XR processor.

It allows for more capture expressions with the inclusion of the S-LOG3 and S-CINETONE image profiles that define a new era of SONY's Cinema line cameras. SONY FX3 + 12-24mm GM you will have greater freedom to record videos with fast and accurate autofocus technology that includes real-time autofocus to the eye, real-time touch tracking and customizable autofocus tracking sensitivity. It also includes 5-axis stabilization in the body with Active Mode, which makes it ideal for hand shots. In addition to its small form factor, the FX3 SONY includes a detachable superior handle with XLR inputs for professional microphones or audio connections. The idea of a cage with the grip and screwing options is already integrated into the body design, accentuating the compact form factor. The FX3 + 12-24mm GMSONY is a body of the Cinema Line, it is designed for the future of cinematic expressions.

Main Features SONY FX3 + 12-24mm GM

• Exmor R CMOS sensor™ full-frame 4K backlit, dynamic range of more than 15 stops, ISO expandable to 409600 for low light conditions
• Cinematic expressions with 16-bit RAW, S-Log3 and S-Cinetone™, a highly appreciated appearance profile inspired by VENICE colorimetry
• Compact and lightweight 715g body, suitable for solo recording and hand mobility
• Fast hybrid autofocus, real-time eye AF, Touch tracking autofocus, customizable autofocus sensitivity,
• Reliable in any recording situation: Rigid magnesium body and frame, and heat dissipation system for uninterrupted 4K 60p recording

Highlights of the 12-24mm GM SONY Lens

Comprising a range of ultra-wide fields of view, the 12-24mm GM f2.8 SONY Lens is a bright and versatile zoom that is characterized by its wide range and bright design. With a constant maximum aperture of f/2.8, this lens is ideal for working in available lighting conditions and controlling the depth of field to isolate the subject. Its advanced optical design includes a number of XA, aspherical, Super ED and ED elements, which combine to reduce a variety of aberrations and distortions for a high degree of sharpness, accurate representation and remarkable color accuracy. An updated Nano AR Coating II has also been applied, which suppresses glare and ghosting for higher contrast when working in bright, backlit light conditions.

• Complementing the optics is an XD linear motor system that uses four separate focus motors to deliver especially quiet, accurate and fast autofocus performance. A floating focus design is also employed that helps maintain consistent results across the entire focus range, from 11" to infinity. The lens also has a dust- and moisture-sealed design and a fluorine-coated front lens element to allow shooting in inclement weather conditions and there's a built-in petal-shaped sunshade to block stray light and physically protect the front element.
• As part of SONY's esteemed G Master series, this lens is designed to achieve remarkably high resolution and sharpness by correcting a wide variety of spherical and chromatic aberrations. In addition, these lenses feature robust and intuitive physical designs to benefit photography and film applications.
• The versatile ultra-wide-angle zoom is designed for mirrorless cameras SONY full-frame E-mount, however, it can also be used on APS-C models where it provides an equivalent focal length of 18-36mm.
• The bright constant maximum aperture f/2.8 benefits working in difficult lighting conditions and also offers greater control over depth of field.
• Three XA (extreme aspherical) elements and a standard aspherical element are incorporated into the optical design, which features superior surface precision for effective control over astigmatism, field curvature, coma, distortion, and other spherical aberrations for a high degree of sharpness and accuracy. representation.
• Two Super ED elements and three extra low dispersion elements are featured in the lens design and help reduce chromatic aberrations and color stripes to improve clarity and color neutrality.
• Nano AR Coating II has been applied to reduce surface reflections, flares and ghosting to increase contrast and color reproduction in bright lighting conditions. This updated coating is more suitable for larger curved elements and is especially skilled at minimizing internal reflections.
• The floating focus system divides the focus group into two separately controlled groups and helps maintain consistently clear optical performance throughout the zoom and focus range.
• An XD linear motor system uses four separate motors, two per focus group, along with an internal focus design to provide fast, quiet, and accurate tracking and autofocus focus. This design also contributes to a more natural and intuitive linear response manual focus control and an AF/MF switch is located on the lens body for tactile control over this setting.
• A focus hold button is present on the lens body for intuitive touch control and quick access to selected settings.
• The minimum focusing distance of 11" is available over the entire zoom range.
• The dust- and moisture-sealed design allows better working in inclement conditions and the rubber control rings benefit handling in colder temperatures.
• The fluorine-coated front element resists dust, moisture and fingerprints and is easy to clean.
• The nine-blade rounded diaphragm contributes to a pleasant bokeh quality when using shallow depth of field techniques.
• The integrated petal-shaped sunshade helps prevent stray light from causing flashes in the lens and also provides some physical protection to the front element.
• The filter holder is built into the back of the lens, inside the lens holder, and accepts cut gel filters and a filter cutting template is included.