

The Canon R6 II + 24-70mm f2.8 IS L USM kit is perfect for portrait photography as it combines the very threadbare eye detection present in the R6 II and a Cannon lens with IS stabilization system. In terms of video, this full frame does not fall short, allowing the user to record in 6K at 60 frames per second and AF enhanced by deep learning.
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EOS R6 II features
Combining solid photographic performance with adequate video capabilities, the Canon EOS R6 Mark II is a versatile mirrorless body for the media creator. An updated 24.2MP CMOS sensor is combined with updated processing for improved AF, stunning 10-bit 4K 60p video, and faster overall performance. In addition, the camera body has been updated for more intuitive operation, including a redesigned top plate for easier access to different shooting modes.
24.2MP full-frame sensor and DIGIC X processing
Updated full-frame sensor
Hitting a sweet spot in terms of resolution, the R6 Mark II incorporates a new 24.2MP CMOS sensor that is versatile for photography and video applications, performs well in low-light conditions, and produces bold, accurate colors.
DIGIC X processor
Taken from the R3, the improved processing of the R6 Mark II adapts to the multimedia nature of the camera. Capable of processing high-speed bursts as well as high-resolution 4K video, the DIGIC X supports continuous shooting of up to 40fps with a silent electronic shutter or 12fps with a mechanical shutter, with AF and AE readings before each frame. There's also a 30fps RAW burst mode, which offers pre-launch capture to record moments that happened up to 0.5 seconds before you press the shutter.
In addition, improved processing leads to improved low-light performance, with a sensitivity range that now extends from ISO 100-102400 and expandable to ISO 204800 to work in very difficult lighting conditions.
4K UHD video recording
Beyond still images, the R6 Mark II's sensor also offers high-resolution UHD 4K 60p internal video using the full width of the sensor and the ability to work with 10-bit sampling with Canon Log 3. A 6K recording area can also be used for oversampling. 4K 30p recording to improve sharpness, reduce moiré and reduce noise. And, for slow-motion playback, 180p recording supports up to Full HD resolution.
HDR-PQ recording is also possible for in-camera HDR production and external recording, via the micro-HDMI port, which supports clean 6K output at up to 60fps. In addition, unlimited recording times are also possible, and the R6 Mark II features microphone and headphone ports, as well as a multifunction shoe for extensive accessory compatibility.
External 6K raw recording
Using the micro-HDMI port, raw video recording is possible when combined with a compatible external recorder. ProRes RAW up to 6K 60p is possible using the full width of the sensor, as well as 3.7K raw recording with a crop.
Autofocus and image stabilization
Dual Pixel CMOS AF II
Sensor Change Image Stabilizer
An in-body image stabilizer (IBIS) corrects up to 7 stops of unwanted camera movement when shooting handheld, helping to shoot handheld in low-light conditions and reducing motion when shooting videos. This 5-axis system can also be used in conjunction with lenses with optical image stabilization to compensate for up to 8 stops of camera shake, depending on the specific lens used. In addition, Movie Digital IS uses optical stabilization and sensor switching methods in conjunction with digital IS to help acquire more stable images while moving.
Body design
EVF and vari-angle LCD touchscreen
Reliable and intuitive operation
Features of the Canon RF 24-70mm f2.8 IS L USM lens
Focal length | 24 to 70 mm |
Maximum aperture | f/2.8 |
Lens mount | RF Canon |
Format compatibility | Full frame |
Maximum magnification | 0.3x |
Minimum focusing distance | 8.27" / 21cm |
Optical design | 21 items in 15 groups |
Diaphragm blades | 9, rounded |
Type of approach | Autofocus |
Image stabilization | Yes |
Filter size | 82 mm (front) |
Dimensions (ø x L) | 3.48 x 4.95" / 88.5 x 125.7mm |
Weight | 900 g |
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