Fuji XT4 + 50-140mm f2.8

  FUJI XT4 + 50-140mm f2.8

More info. FUJI XT4

X-T4 FUJI Camera Number of Effective Pixels 26.1 million pixels

Image Sensor
23.5mm x15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.

Sensor cleaning system Ultrasonic vibration

Storage Media
SD Memory Card (-2GB) / SDHC Memory Card (-32GB) / SDXC Memory Card (-512GB) UHS-I / UHS-II / Video Speed Class V90

File Format
JPEG Still Image: Exif Ver.2.3, RAW: 14bit RAW (Original RAF Format) TIFF: 8/16bit RGB

Number of pixels recorded
L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416 x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120 x 1760 / (1:1) 2080 x 2080

Movie
MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM/Stereo Sound 24bit/48KHz Sampling), MP4 (MPEG-4 AVC/H.264, Audio: AAC)

Sensitivity
Standard Output Sensitivity: AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO160-12800 (1/3 step)
Extended Output Sensitivity: ISO80/100/125/25600/51200

Exposure Control
256-zone TTL metering, Multi / Spot / Average / Center weighted

Exposure modes
P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)

Exposure Compensation
-5.0EV - +5.0EV 1/3EV step

Movie Recording
-2.0EV - +2.0EV

Image stabilization mechanism
Image sensor shift mechanism with 5-axis compensation

Image Stabilizer Compensation Effect
Maximum 6.5 stops (according to CIPA standard. Just pitch/yaw shakes. With the XF35mmF1.4 R lens mounted).

Digital Image Stabilizer
Yes (movie mode only)

IS Mode Boost
Yes (movie mode only)

Face/eye detection AF
yes

Shutter Type
Focal Plane Shutter

Mechanical shutter
P mode: 4 sec. to 1/8000 sec. One mode: 30 seconds. to 1/8000 sec. S/M mode: 15min. to 1/8000 sec. Bulb mode: up to 60 min.

Electronic shutter
P mode: 4 sec. at 1/32000 sec. One mode: 30 seconds. to 1/32000 sec. S/M mode: 15min. to 1/32000 sec. Bulb mode: 1 sec. Fixed

Electronic Front Curtain Shutter
P mode: 4 sec. to 1/8000 sec. One mode: 30 seconds. to 1/8000 sec. S/M mode: 15min. to 1/8000 sec. Bulb mode: up to 60 min.

Mechanical + electronic shutter
P mode: 4 sec. at 1/32000 sec. One mode: 30 seconds. to 1/32000 sec. S/M mode: 15min. to 1/32000 sec. Bulb mode: up to 60 min.

Electronic front + mechanical shutter
P mode: 4 sec. to 1/8000 sec. One mode: 30 seconds. to 1/8000 sec. S/M mode: 15min. to 1/8000 sec. Bulb Mode: Up to 60 minutes
The electronic front curtain shutter works up to 1/2000sec.

E-Front + Mechanical + Elec. Shutter
P mode: 4 sec. at 1/32000 sec. One mode: 30 seconds. to 1/32000 sec. S/M mode: 15min. to 1/32000 sec. Bulb mode: up to 60 min.
The electronic front curtain shutter works up to 1/2000sec, the mechanical shutter works up to 1/8000sec.

Film Shutter
FHD: 1/8000 sec. to 1/4sec.
DCI4K/4K: 1/8000 sec. to 1/24sec. (frame rate dependent)

Synchronized shutter speed for flash
1 / 250sec. or slower

Continuous shooting
Approx. 30 fps [Electronic Shutter Only, 1.25 x Crop] (JPEG: 60 frames lossless compressed RAW / Compressed RAW: 35 uncompressed RAW frames: 33 frames)
Approx. 20 fps [Electronic Shutter Only, 1.25 x Crop] (JPEG: 114 Lossless Compressed RAW Frames / Compressed RAW: 37 Uncompressed RAW Frames: 34 Frames)
Approx. 10 fps [Electronic Shutter Only, 1.25 x Crop] (JPEG: 500 Lossless Compressed RAW Frames / Compressed RAW: 48 Uncompressed RAW Frames: 39 Frames)

Approx. 20 fps [Electronic Shutter Only] (JPEG: 79 frames lossless compressed RAW / Compressed RAW: 36 uncompressed RAW frames: 34 frames)
Approx. 15 fps (JPEG: 110 frames lossless compressed RAW / Compressed RAW: 38 frames Uncompressed RAW: 35 frames)

Approx. 10 fps (JPEG: 164 frames lossless compressed RAW / Compressed RAW: 44 frames Uncompressed RAW: 37 frames)
Approx. 8 fps (JPEG: 200 frames lossless compressed RAW / compressed RAW: 49 frames uncompressed RAW: 39 frames)

Pre-shot
Approx. 30 fps [Electronic Shutter Only, 1.25 x Crop] (max. 20 frames while half-pressed, max. 20 frames after full press, total max. 40 frames) Pre-Shot: Approx. 20 fps [Electronic Shutter Only, 1.25 x Crop] (max. 20 frames while half-pressed, max. 37 frames after full press, max total 57 frames) Pre-shot: Approx. 10 fps [Electronic shutter only, 1.25 x Crop] (max. 10 frames while half-pressed, max. 300 frames after full press, max total 310 frames)

Automatic bracketing
AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: per step 1/3EV, up to +/- 3EV steps) Film Simulation Bracketing (3 types of film simulation can be selected)
Dynamic range bracketing (100%, 200%, 400%)
ISO sensitivity bracketing (+/- 1/3EV, +/- 2/3EV, +/- 1EV)
White balance bracketing (+/- 1, +/- 2, +/- 3)
Focus bracketing (AUTO, MANUAL)

Focus Mode
Single AF / Continuous AF / MF

Type of focus
Intelligent Hybrid AF (TTL Contrast AF / TTL Phase Detection AF)

Focu Low-light performance
Contrast: -3.0EV Phase Detection: -6.0EV (XF35mmF1.4 attached)

AF AF Frame Selection
Single Point AF: EVF/LCD: 13 × 9/25 × 17 (variable frame size AF) AF Zone: 3 × 3/5 × 5/7 × 7 from 91 areas on grid 13 × 9
Width / AF Tracking, AF-S: Width / AF-C: All Tracking

White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENT PRIORITY), / Custom 1-3 / Color Temperature Selection

Timer
10 sec. / 2 seconds.

Interval timer shooting
Yes (Setting: Interval, Number of Shots, Start Time)

Flash Sync Mode
1ST CURTAIN / 2ND CURTAIN / AUTO FP (HSS) (excluding EF-X8)

Flash Mode
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC) / Manual / Commander / Power Off (when EF-X8 is set)
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC) / MANUAL / MULTI / OFF (when SHOE MOUNT FLASH is set)

Hot Shoe
Yes (Dedicated TTL flash supported)

Viewfinder
Approx. 0.5 inches 3.69-million-dot OLED color viewfinder
Coverage of the viewing area vs. the capture area: approx. 100%
Point of view: approx. 23 mm (from the eyepiece lens)
Diopter adjustment: -4- +2m-1 (lockable)
Magnification: 0.75 x with 50 mm lens (35 mm equivalent) at infinity and diopters set to -1 m-1
Diagonal viewing angle: approx. 38 degrees (horizontal viewing angle: approx. 30 degrees)
Built-in eyepiece sensor

LCD monitor
3.0 inches, 3:2 aspect ratio, approx. 1.62-million-dot touchscreen color LCD monitor (approx. 100% coverage)

Movie Recording File Format
MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM/Stereo Sound, 24-bit/48KHz Sampling)
MP4 (MPEG-4 AVC/H.264, Audio: AAC)

Movie Recording Compression
All Intra/Long-GOP

DCI4K / 4K 29.97p / 25p / 24p / 23.98p 400Mbps Full HD (2048 x1080) / Full HD (1920 × 1080) 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 200Mbps

Movie File Size / Frame Rate / Recording Time
[DCI 4K (4096 x2160)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 400Mbps / 200Mbps / 100Mbps 59.94p / 50p: up to approx. 20 minutes. 29.97p / 25p / 24p / 23.98p: up to approx. 30 minutes

[4K (3840 × 2160)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 400Mbps / 200Mbps / 100Mbps 59.94p / 50p – up to approx. 20 minutes. 29.97p / 25p / 24p / 23.98p: up to approx. 30 minutes
[Full HD (2048 x 1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 30 minutes.
[Full HD (1920 x1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 30 minutes.
[Full HD (1920 x1080) High Speed Recording] 240p / 200p 200Mbps (recording) up to approx. 3min. 120p / 100p 200Mbps (recording) up to approx. 6min.
Movie Simulation Mode
18 modes (PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, ETERNA / Cinema, Classic Neg, ETERNA BLEACH BYPASS) Monochrome Color

Clarity Adjustment
+/- 5 steps

HDR mode
AUTO, 200%, 400%, 800%, 800%+

Grain effect
Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL

Chrome Effect Color STRONG, WEAK, OFF

Color Chrom Effect Blue STRONG, WEAK, OFF

Dynamic range adjustment yet
AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)

Dynamic Range Adjustment Film
100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)

Advanced Filter
Toy Camera, Miniature, Pop Color, High Key, Low Key, Dynamic Tone, Soft Focus, Partial Color (Red/Orange/Yellow/Green/Blue/Purple)

Standard Wireless Transmitter
IEEE802.11b/g/n (standard wireless protocol)

Wireless Transmitter Encryption
WEP / WPA / WPA2 Mixed Mode

Wireless Encryption Access Mode Infrastructure

Bluetooth Standard
Bluetooth Ver 4.2 (Bluetooth Low Energy)

Bluetooth Operating Frequency
2402 - 2480MHz (center frequency)

Terminal

Digital interface: USB Type-C (USB3.2 Gen1x1)
HDMI Output: Micro HDMI Connector (Type D)
Others: 3.5mm, Mini Stereo Jack (Microphone)/2.5mm, Remote Release Jack, Hot Shoe, Synchronized Terminal

Power Supply
NP-W235 Lithium-ion Battery (Included)

Battery life for still images
Approx. 600 frames (economy mode), approx. 500 frames (normal mode) when XF35mmF1.4 R is set.

Actual battery life of movie capture Face detection is off
[4K] approx. 85min. (29.97p) [Full HD] approx. 95min. (59.94p)

Continuous battery life
Face detection is disabled
[4K] approx. 110min. (29.97p)
[Full HD] Approx. 130min (59.94p) (Movie Capture)

Operating Temperature
-10 degrees C- + 40 degrees C

Operating humidity
10%-80% (non-condensing)

Battery
NP-W235 Lithium-Ion Battery

Onset Period Approx. 0.39 sec.

Dimensions (D x W x H)
63.8 x 134.6 x 92.8 mm

Weight
Approx. 607 g (battery and SD memory card included) Approx. 526 g (without battery and SD memory card)

Fuji 50-140mm f2.8 lens

A new telephoto zoom in the X-series is weather-resistant and high-performance, with a constant F2.8 aperture, powerful image stabilization and the world's first triple linear motor.

FUJINON XF50-140mm F2.8 R LM OIS WR offers a focal length equivalent to 76-213mm*1, and a constant F2.8 aperture across the range. With a lens construction of 23 glass elements in 16 groups, featuring five lens ED elements and one super lens ED element with low dispersion characteristics comparable to those of fluorite lenses, chromatic aberrations have been significantly reduced. In addition, the use of the new Nano-GI (gradient index) coating technology ensures that this high-performance lens delivers appropriate results as XF's flagship telephoto zoom lens.

The length of the lens drum remains constant throughout the zoom range, and features a dust- and weather-resistant finish that can also work in low temperatures down to -10°C. Thanks to the high-performance gyro sensor, a unique image stabilization algorithm, and the bright F2.8 aperture, hand-holding the device is possible in a wider variety of conditions. Meanwhile, the world's first triple linear motor allows you to shoot comfortably and in fast and quiet autofocus.

Key  featuresFUJI 50-140mm F2.8 R LM OIS WR

Optical design for image quality with reference telephoto zoom

• To deliver best-in-class image quality, this luxurious telephoto zoom uses an optical construction that includes 23 glass elements in 16 groups, with five lens ED elements and one Super ED comparable to fluorite lenses. This maximizes the reduction of chromatic aberrations and offers outstanding resolving capability.
• Applying Fujifilm's unique HT-EBC (High Transmittance Electron Beam Coating) coating to the entire surface area of the lens ensures that ghosting and flare are controlled to deliver clear, sharp images. In addition, using the newly developed Nano-GI (gradient index) coating technology, which alters the refractive index between glass and air, ghosting and flare are effectively reduced by diagonally striking light.
• Like other XF lenses, seven rounded aperture blades create a smooth, circular bokeh. An optical design has been used that generates beautiful bokeh on the front and back.
• An internal zoom mechanism allows the lens to remain in length. so that the balance of the lens remains the same during the zoom range.
• By combining this lens with an X-series camera body *3 with Lens Modulation Optimizer *2 (LMO) technology, lens performance has been further improved. LMO corrects for diffraction*4 to produce incredibly sharp images and create a realistic three-dimensional effect even at small apertures.