The FUJI XT4+ 18-55mm t2.9 MKX is a combination in which this video lens is equivalent to 27-84mm in 35 millimeters but as indicated it achieves a constant aperture of T2.9 throughout its zoom range. making the X-Processor 4 with Quad CPU and 26.1Mpx APSC sensor X-Trans BSI CMOS offering superior stabilized quality.
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Contact usMore Info. FUJI XT4
Number of effective pixels 26.1 million pixels
Image Sensor
23.5mm x15.6mm (APS-C) X-Trans CMOS 4 with primary color filter.
Sensor cleaning system Ultrasonic vibration
Storage Media
SD Memory Card (-2GB) / SDHC Memory Card (-32GB) / SDXC Memory Card (-512GB) UHS-I / UHS-II / Video Speed Class V90
File Format
JPEG Still Image: Exif Ver.2.3, RAW: 14bit RAW (Original RAF Format) TIFF: 8/16bit RGB
Number of pixels recorded
L: (3:2) 6240 x 4160 / (16:9) 6240 x 3512 / (1:1) 4160 x 4160 M: (3:2) 4416 x 2944 / (16:9) 4416 x 2488 / (1:1) 2944 x 2944 S: (3:2) 3120 x 2080 / (16:9) 3120 x 1760 / (1:1) 2080 x 2080
Movie
MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM/Stereo Sound 24bit/48KHz Sampling), MP4 (MPEG-4 AVC/H.264, Audio: AAC)
Sensitivity
Standard Output Sensitivity: AUTO1 / AUTO2 / AUTO3 (up to ISO12800) / ISO160-12800 (1/3 step)
Extended Output Sensitivity: ISO80/100/125/25600/51200
Exposure Control
256-zone TTL metering, Multi / Spot / Average / Center weighted
Exposure modes
P (Program AE) / A (Aperture Priority AE) / S (Shutter Speed Priority AE) / M (Manual Exposure)
Exposure Compensation
-5.0EV - +5.0EV 1/3EV step
Movie Recording
-2.0EV - +2.0EV
Image stabilization mechanism
Image sensor shift mechanism with 5-axis compensation
Image Stabilizer Compensation Effect
Maximum 6.5 stops (according to CIPA standard. Just pitch/yaw shakes. With the XF35mmF1.4 R lens mounted).
Digital Image Stabilizer
Yes (movie mode only)
IS Mode Boost
Yes (movie mode only)
Face/eye detection AF
yes
Shutter Type
Focal Plane Shutter
Mechanical shutter
P mode: 4 sec. to 1/8000 sec. One mode: 30 seconds. to 1/8000 sec. S/M mode: 15min. to 1/8000 sec. Bulb mode: up to 60 min.
Electronic shutter
P mode: 4 sec. at 1/32000 sec. One mode: 30 seconds. to 1/32000 sec. S/M mode: 15min. to 1/32000 sec. Bulb mode: 1 sec. Fixed
Electronic Front Curtain Shutter
P mode: 4 sec. to 1/8000 sec. One mode: 30 seconds. to 1/8000 sec. S/M mode: 15min. to 1/8000 sec. Bulb mode: up to 60 min.
Mechanical + electronic shutter
P mode: 4 sec. at 1/32000 sec. One mode: 30 seconds. to 1/32000 sec. S/M mode: 15min. to 1/32000 sec. Bulb mode: up to 60 min.
Electronic front + mechanical shutter
P mode: 4 sec. to 1/8000 sec. One mode: 30 seconds. to 1/8000 sec. S/M mode: 15min. to 1/8000 sec. Bulb Mode: Up to 60 minutes
The electronic front curtain shutter works up to 1/2000sec.
E-Front + Mechanical + Elec. Shutter
P mode: 4 sec. at 1/32000 sec. One mode: 30 seconds. to 1/32000 sec. S/M mode: 15min. to 1/32000 sec. Bulb mode: up to 60 min.
The electronic front curtain shutter works up to 1/2000sec, the mechanical shutter works up to 1/8000sec.
Film Shutter
FHD: 1/8000 sec. to 1/4sec.
DCI4K/4K: 1/8000 sec. to 1/24sec. (frame rate dependent)
Synchronized shutter speed for flash
1 / 250sec. or slower
Continuous shooting
Approx. 30 fps [Electronic Shutter Only, 1.25 x Crop] (JPEG: 60 frames lossless compressed RAW / Compressed RAW: 35 uncompressed RAW frames: 33 frames)
Approx. 20 fps [Electronic Shutter Only, 1.25 x Crop] (JPEG: 114 Lossless Compressed RAW Frames / Compressed RAW: 37 Uncompressed RAW Frames: 34 Frames)
Approx. 10 fps [Electronic Shutter Only, 1.25 x Crop] (JPEG: 500 Lossless Compressed RAW Frames / Compressed RAW: 48 Uncompressed RAW Frames: 39 Frames)
Approx. 20 fps [Electronic Shutter Only] (JPEG: 79 frames lossless compressed RAW / Compressed RAW: 36 uncompressed RAW frames: 34 frames)
Approx. 15 fps (JPEG: 110 frames lossless compressed RAW / Compressed RAW: 38 frames Uncompressed RAW: 35 frames)
Approx. 10 fps (JPEG: 164 frames lossless compressed RAW / Compressed RAW: 44 frames Uncompressed RAW: 37 frames)
Approx. 8 fps (JPEG: 200 frames lossless compressed RAW / compressed RAW: 49 frames uncompressed RAW: 39 frames)
Pre-shot
Approx. 30 fps [Electronic Shutter Only, 1.25 x Crop] (max. 20 frames while half-pressed, max. 20 frames after full press, total max. 40 frames) Pre-Shot: Approx. 20 fps [Electronic Shutter Only, 1.25 x Crop] (max. 20 frames while half-pressed, max. 37 frames after full press, max total 57 frames) Pre-shot: Approx. 10 fps [Electronic shutter only, 1.25 x Crop] (max. 10 frames while half-pressed, max. 300 frames after full press, max total 310 frames)
Automatic bracketing
AE Bracketing (Frames: 2, 3, 5, 7, 9 Step: per step 1/3EV, up to +/- 3EV steps) Film Simulation Bracketing (3 types of film simulation can be selected)
Dynamic range bracketing (100%, 200%, 400%)
ISO sensitivity bracketing (+/- 1/3EV, +/- 2/3EV, +/- 1EV)
White balance bracketing (+/- 1, +/- 2, +/- 3)
Focus bracketing (AUTO, MANUAL)
Focus Mode
Single AF / Continuous AF / MF
Type of focus
Intelligent Hybrid AF (TTL Contrast AF / TTL Phase Detection AF)
Focu Low-light performance
Contrast: -3.0EV Phase Detection: -6.0EV (XF35mmF1.4 attached)
AF AF Frame Selection
Single Point AF: EVF/LCD: 13 × 9/25 × 17 (variable frame size AF) AF Zone: 3 × 3/5 × 5/7 × 7 from 91 areas on grid 13 × 9
Width / AF Tracking, AF-S: Width / AF-C: All Tracking
White Balance
Auto (WHITE PRIORITY, AUTO, AMBIENT PRIORITY), / Custom 1-3 / Color Temperature Selection
Timer
10 sec. / 2 seconds.
Interval timer shooting
Yes (Setting: Interval, Number of Shots, Start Time)
Flash Sync Mode
1ST CURTAIN / 2ND CURTAIN / AUTO FP (HSS) (excluding EF-X8)
Flash Mode
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC) / Manual / Commander / Power Off (when EF-X8 is set)
TTL (TTL AUTO (P mode) / STANDARD / SLOW SYNC) / MANUAL / MULTI / OFF (when SHOE MOUNT FLASH is set)
Hot Shoe
Yes (Dedicated TTL flash supported)
Viewfinder
Approx. 0.5 inches 3.69-million-dot OLED color viewfinder
Coverage of the viewing area vs. the capture area: approx. 100%
Point of view: approx. 23 mm (from the eyepiece lens)
Diopter adjustment: -4- +2m-1 (lockable)
Magnification: 0.75 x with 50 mm lens (35 mm equivalent) at infinity and diopters set to -1 m-1
Diagonal viewing angle: approx. 38 degrees (horizontal viewing angle: approx. 30 degrees)
Built-in eyepiece sensor
LCD monitor
3.0 inches, 3:2 aspect ratio, approx. 1.62-million-dot touchscreen color LCD monitor (approx. 100% coverage)
Movie Recording File Format
MOV (MPEG-4 AVC/H.264, HEVC/H.265, Audio: Linear PCM/Stereo Sound, 24-bit/48KHz Sampling)
MP4 (MPEG-4 AVC/H.264, Audio: AAC)
Movie Recording Compression
All Intra/Long-GOP
DCI4K / 4K 29.97p / 25p / 24p / 23.98p 400Mbps Full HD (2048 x1080) / Full HD (1920 × 1080) 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 200Mbps
Movie File Size / Frame Rate / Recording Time
[DCI 4K (4096 x2160)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 400Mbps / 200Mbps / 100Mbps 59.94p / 50p: up to approx. 20 minutes. 29.97p / 25p / 24p / 23.98p: up to approx. 30 minutes
[4K (3840 × 2160)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 400Mbps / 200Mbps / 100Mbps 59.94p / 50p – up to approx. 20 minutes. 29.97p / 25p / 24p / 23.98p: up to approx. 30 minutes
[Full HD (2048 x 1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 30 minutes.
[Full HD (1920 x1080)] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p 200Mbps / 100Mbps / 50Mbps up to approx. 30 minutes.
[Full HD (1920 x1080) High Speed Recording] 240p / 200p 200Mbps (recording) up to approx. 3min. 120p / 100p 200Mbps (recording) up to approx. 6min.
Movie Simulation Mode
18 modes (PROVIA / Standard, Velvia / Vivid, ASTIA / Soft, Classic Chrome, PRO Neg.Hi, PRO Neg.Std, Black & White, Black & White + Ye Filter, Black & White + R Filter, Black & White + G Filter, Sepia, ACROS, ACROS + Ye Filter, ACROS + R Filter, ACROS + G Filter, ETERNA / Cinema, Classic Neg, ETERNA BLEACH BYPASS) Monochrome Color
Clarity Adjustment
+/- 5 steps
HDR mode
AUTO, 200%, 400%, 800%, 800%+
Grain effect
Roughness: STRONG, WEAK, OFF Size: LARGE, SMALL
Chrome Effect Color STRONG, WEAK, OFF
Color Chrom Effect Blue STRONG, WEAK, OFF
Dynamic range adjustment yet
AUTO, 100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
Dynamic Range Adjustment Film
100%, 200%, 400%
ISO restriction (DR100%: No limit, DR200%: ISO320 or more, DR400%: ISO640 or more)
Advanced Filter
Toy Camera, Miniature, Pop Color, High Key, Low Key, Dynamic Tone, Soft Focus, Partial Color (Red/Orange/Yellow/Green/Blue/Purple)
Standard Wireless Transmitter
IEEE802.11b/g/n (standard wireless protocol)
Wireless Transmitter Encryption
WEP / WPA / WPA2 Mixed Mode
Wireless Encryption Access Mode Infrastructure
Bluetooth Standard
Bluetooth Ver 4.2 (Bluetooth Low Energy)
Bluetooth Operating Frequency
2402 - 2480MHz (center frequency)
Terminal
Digital interface: USB Type-C (USB3.2 Gen1x1)
HDMI Output: Micro HDMI Connector (Type D)
Others: 3.5mm, Mini Stereo Jack (Microphone)/2.5mm, Remote Release Jack, Hot Shoe, Synchronized Terminal
Power Supply
NP-W235 Lithium-ion Battery (Included)
Battery life for still images
Approx. 600 frames (economy mode), approx. 500 frames (normal mode) when XF35mmF1.4 R is set.
Actual battery life of movie capture Face detection is off
[4K] approx. 85min. (29.97p) [Full HD] approx. 95min. (59.94p)
Continuous battery life
Face detection is disabled
[4K] approx. 110min. (29.97p)
[Full HD] Approx. 130min (59.94p) (Movie Capture)
Operating Temperature
-10 degrees C- + 40 degrees C
Operating humidity
10%-80% (non-condensing)
Battery
NP-W235 Lithium-Ion Battery
Onset Period Approx. 0.39 sec.
Dimensions (D x W x H)
63.8 x 134.6 x 92.8 mm
Weight
Approx. 607 g (battery and SD memory card included) Approx. 526 g (without battery and SD memory card)
The lens provides high optical performance and comfortable operation for movie shooting professionals. Along with the MKX 50-135mm T2.9, the MKX 18-55mm T2.9 is the first fully manual cinema lens to support the X-Series interchangeable-lens camera. In the 35mm format equivalent, the MKX 18-55mm T2.9 covers a focal length from 27mm to 84mm and achieves a constant aperture of T2.9* in its full zoom range, offering a shallow depth of field and beautiful bokeh. The lens design is optimised for movie recording, minimising focus and optical axis shift when zoom and reducing the breathing of the lens itself (the change in angle of view during focusing). The lens also integrates three rings to allow manual and independent operation of focus, zoom and iris (aperture), all with 0.8 M gear pitch** (module). The focus rings can be fully rotated up to 200 degrees to facilitate precise focusing. These functions make the lens very comfortable and easy to handle.
The FUJI XT4+ 18-55mm t2.9 MKX is a combination in which this video lens is equivalent to 27-84mm in 35 millimeters but as indicated it achieves a constant aperture of T2.9 throughout its zoom range. making the X-Processor 4 with Quad CPU and 26.1Mpx APSC sensor X-Trans BSI CMOS offering superior stabilized quality.
Select between Black and Silver in the drop-down

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