Atomos Ninja V Pro Kit

Monitor Atomos Ninja V Pro Kit

The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" camera monitor/recorder that records and plays 4K DCI, 4K UHD and HD video from specially designed mini-SSDs. An update to be released for fall 2020 will add the ability to record Apple ProRes Raw up to DCI 4K24 or UHD 4K30 directly from the sensor of select cameras such as SIGMA fp. It features a 10-bit FRC IPS display with a brightness of 1000 cd/m², making it suitable for use both outdoors and indoors. AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, lackluster images or use a LUT to compress dynamic range and color space. The monitor supports popular registry formats of SONY cameras, CANON, PANASONIC, ARRI, RED, and JVC. The settings only affect the display, and the recorded video remains unchanged.

Built to withstand the rigors of production, the Ninja V features an aluminum chassis and single-battery powers from the L series. Additional features include a variety of on-screen exposure analysis, framing and focus assist tools, as well as anamorphic reduction. A Caddy SSD, power supply, and dummy battery are included with the drive.

Designed with an interface that differs a bit from previous units, the Ninja V's HDR features are accessed via the MON buttons and its ProRes options are chosen via the arrows in the left- superior corner of the unit. The Ninja V can record on both AtomX SSDmini and standard 2.5" SSDs, adjusting up to 150 minutes of 4K video on a 1TB drive. Separately available AtomX Ethernet/NDI and SYNC expansion modules allow you to output live video over IP or add wireless timecode connection for multi-camera shooting, respectively.

AtomHDR
With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only show six or seven stops, which is fine for standard footage; but a log image will look too flat. It is also superior monitoring with a loaded LUT, which can trim reflections and mask shadows.
Supported log formats

• ARRI Log C
• CANON CLog / CLog 2
• F-Log FUJI
• JLog JVC
• SLog2 / SLog3 SONY
• Vlog PANASONIC
• RED LogFilm

HDR recording

• ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320 / LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
• CANON CLog / CLog2 / Clog3
• F-Log FUJI
• JLog1 JVC
• Vlog PANASONIC
• PQ10k, HLG
• RED LogFilm / Log3G10 / Log3G12
• SONY SLog / SLog2 / SLog3

Apple ProRes Raw Recording with SIGMA fp
An upcoming Atomos update will allow Apple ProRes Raw recording with SIGMA fp at speeds up to DCI 4K24 or UHD 4K30 and up to 120 fps in HD; this will allow the capture of ProRes Raw in a small, mirrorless form suitable for a variety of applications
HDR monitoring

• ARRI ALEXA Wide range
• CANON Cinema / DCI P3 / DCI P3 + / BT2020
• F-Log FUJI
• JVC LS300
• PANASONIC V Gamut
• Rec. 2100
• Rec. 709
• RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
• SONY SGamut / SGamut3 / SGamut3.cine / BT2020
• Wide color gamut (SGamut / SGamut3 / SGamut3.cine / CANON Cinema / BT2020 / DCI P3 / DCI P3 + / PANASONIC V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
• Wide color gamut (SGamut / SGamut3 / SGamut3.cine / CANON Cinema / BT2020 / DCI P3 / DCI P3 + / PANASONIC V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 in output loop

4K 60p capabilities
Record high-resolution 4K images in DCI or UHD formats up to 60fps, including 24fps and 25fps for a more cinematic aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to meet your project and storage needs.
SSD Recording
Record to standard 2.5" SSDs or AtomX SSDmini compact drives, capturing up to 150 minutes of 4K video on a 1TB drive.
Audio I/O
Audio input/output via HDMI or add external audio via 3.5mm line-in/microphone input port; Audio output using the 3.5mm headphone port for convenient audio monitoring.
5" display visible in daylight
The Ninja V features a 5" IPS LCD display that is illuminated by a bright 1000 cd/m² LED backlight, allowing you to see in daylight without the need for a hood. In addition, the display is also factory calibrated in color to ensure an accurate rendering image.
HDR signal management
Log and HDR signals can be difficult to monitor with conventional equipment. However, with the HDR signal management features built into the Ninja V, the log signal can be converted to the PQ standard for compatibility with existing professional and consumer HDR equipment.
Anamorphic bleeding
The Ninja V supports anamorphic compression reduction, allowing you to comfortably view anamorphic images with 2x, 1.5x, 1.33, and 8:3 compression of PANASONIC.

Recording ready to edit

Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs that maintain high quality and do not require the uncompressed video storage space. Both ProRes and DNx are easy to edit, requiring no conversion into post-production to ensure smooth playback and compatibility with the most common video editing software.
Optional expansion modules
The Ninja V features a high-speed two-way video port along with power and audio that allows the use of AtomX Ethernet/NDI and SYNC modules along with future module releases.