Sony FX6 + 16-35mm T3.1 G

Sony FX6+16-35mm

FX6 SONY Features

The SONY FX6 full-frame camera was developed to deliver versatile, cinema-style images in a truly compact form. With the ability to capture up to more than 15 stops of dynamic range, S-Cinetone SONY gamma for film skin tones and XAVC-I 4:2:2 recording up to 10-bit, the FX6 is ready to complement your FX9 or VENICE capture and nimbly shoot documentaries, stabilizers and drones on your own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a variety of settings using a base ISO of 800, as well as a high-sensitivity ISO 12800 mode for nuanced scenes in low light.

Weighing just under 2lbs, the FX6's body is 2lbs lighter than the FX9 and measures 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35 SONY FS5 sensor. While the FX6 fits perfectly into In addition to being a professional workflow on set, it also offers several features that are a great help for a user working with a single operator, such as fast and accurate phase detection autofocus with face detection and real-time eye autofocus, both automatic and manual. filter settings for fast exposure compensation and a 3.5" LCD monitor that features touchscreen access to key time-saving menu settings and versatile positioning for comfortable operation. In addition to improving overall camera stability, firmware update v1.10 adds 100p and 120p options to the slow and fast motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.

Versatile addition to the SONY Cinema line

As part of SONY's Cinema lineup, the FX6 shares key imaging features with established cameras such as the VENICE and FX9. Common basic attributes include a full-frame sensor, film-like color science, a compact and lightweight shape, professional connector interfaces, and advanced autofocus options.

Compared to the FX9, the FX6 differs in several specifications; but many FX6 specifications tick the same boxes and several improve the FX9:

1. Matches FX9 video capture up to DCI 4K60
2. Has the same S-Cinetone, S-Log3 and HLG gamma options
3. Raw 16-bit outputs like FX9
4. SONY E lens mount
5. Offers the same options from 1/4 to 1/128 ND
6. Also provides 2-channel XLR audio inputs

Differences of FX6 with FX9:

1. 4K vs. 6K capture
2. It has a single 12G/6G/3G-SDI BNC port, which trims the FX9's additional 3G-SDI port
3. Incorporates a timecode port but lacks the genlock connector of the FX9
4. FX6's enhanced specifications include:

An ISO range of 320 to 409,600 versus the FX9's range of 320 to 102,400

Higher frame rates of 120p in 4K and up to 240p in HD vs. higher 1080p for FX9 in HD

Dual card slots supporting durable, highly efficient CFexpress Type A cards or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option

Firmware update v1.10

1. Adds 100p and 120p options to the slow and fast motion frame rate menu when the codec is set to RAW or RAW and XAVC-I
2. Improves the overall stability of the FX6 camera

4K full-frame Exmor R CMOS sensor

The FX6's 10.2MP image sensor features backlighting for excellent low-light performance, 627 focal plane points for fast phase detection autofocus, and full-frame lens support that produces a rich, immersive appearance. The sensor's fast scanning speed minimizes rolling shutter artifacts and supports high frame rates and fast autofocus responses.

More than 15 stops of dynamic range

The Exmor R sensor also allows the FX6 to capture more than 15 stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.

Wide ISO range

Choose from a base ISO of 800, a high-sensitivity ISO of 12,800 for shooting in low light, and a maximum ISO of 409,600 for low-light setups.

Electronically variable ND filters

Set the FX6's built-in neutral density (ND) filter system to auto for properly exposed shots even in changing light conditions, or gently adjust the ND filter density manually in increments of 1/4 to 1/128 as you shoot; Both options will produce properly exposed images without affecting the chosen depth of field.

Advanced XAVC codec options

The FX6 is the first full-frame compact camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also allows you to choose from a range of professional XAVC Intra and XAVC Long codecs at bitrates ranging from 35 to 600 Mb/s.

High frame rate selections

For slow-motion and fast-action looks, choose from full-frame rates ranging from:

1. 1-60fps in HD resolutions at DCI 4K
2. 100 or 120fps in HD via UHD 4K
3. 150, 180, 200 or 240 fps in Full HD

Super35 options include:

1. 1-60, 100 and 120 fps in Full HD

Expressive cinematic look

Sony's S-Cinetone gamma curve delivers a cinematic look with film colors, softer tones and pleasing skin tone reproduction. This cinematic look is not only available for on-camera viewing, but can also be captured and generated with minimal or no rating for a time-saving post-process. The S-Cinetone, S-Log3, S-Gamut3 and S-Gamut3.Cine options also streamline the process of matching FX6 footage to your VENICE or FX9 video and offer extensive color grading options.

Hybrid/phase detection fast autofocus

Compatible with over 50 native SONY E-mount lenses, the FX6's enhanced autofocus options include face detection and eye autofocus modes for fast focusing with extremely sharp accuracy, even in low-light environments. Phase detection autofocus achieves this accuracy using seven stops of transition speed and five stops of subject sensitivity.

Image stabilization and more with Catalyst and metadata

Pair the FX6 with SONY 's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easy clip filtering in post-production.

3.5" touchscreen LCD control

The FX6's 3.5" LCD monitor offers high-resolution viewing and the ease of touchscreen camera control. LCD quick menu controls include key settings such as codec, image scanning mode, image size and frequency, base sensitivity/ISO, shooting mode, and audio. Levels.

Reliable design and construction

Built with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and disperses heat efficiently to enable extended recording times. The exterior seams, buttons and interfaces have been treated with an updated seal that also improves the dust and moisture resistance of the camera.

4-channel audio recording

The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input and the stereo microphone built into the camera's superior handle. This allows the simultaneous use of an external microphone to record its main audio source and the built-in microphone for ambient sound and/or voice memos by the operator.

Professional input/output interface

FX6 input and output ports include a selectable 12G/6G/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.

CFexpress media slots and multiple recording modes

The FX6's dual media slots accept robust, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Please note that CFexpress Type A cards are required for 100/120fps UHD 4K capture and 150/180/200/240fps HD high-speed capture.

Modular design for carrying

The FX6's modular design allows it to reduce its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and a smart handle for fingertip control when shooting with the handheld. A 3.5" LCD screen can be quickly placed on the camera in multiple locations for comfortable and ergonomic viewing.

Content browser mobile compatibility

When used with the separately available Content Browser Mobile app and a compatible smartphone or remote, the FX6's Wi-Fi function allows remote monitoring and focus/iris/zoom control.

Characteristics of the SONY lens16-35mm T3.1G

If you're looking for a fast and flexible wide-angle cinema zoom for your full-frame cinema camera, SONY 's flagship FE C 16-35mm T3.1G E-mount lens features a constant T3.1 aperture with consistent performance across its 16 to 35mm zoom range and provides high-quality images in low-light conditions. You can operate the zoom manually or use the detachable servo unit to help create dramatic fast or slow zooms with ease. It can also be controlled with the camera handle or with an optional external grip zoom. The FE C 16-35 features a true cinema design with its 0.8 MOD gear and 114mm lens diameter to fit standard cinema tracking equipment and matte case. T

The optical design incorporates two ex-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly control spherical aberrations for a high degree of sharpness and image clarity. In addition, a Nano AR coating has been applied to limit ghosting and lens flare to increase contrast and color fidelity when working in bright lighting conditions.

Complementing the optical assets, this lens includes an 11-blade iris to produce smooth, smooth-edged bokeh with selective focus images. To control focus, you can quickly switch between AF and MF with a switch. A linear response manual focus allows for responsive, lag-free control for smooth operation. The focus ring provides 120° rotation with precise control and the distance is marked in feet. The switch also features a setting for click stops so you can use tactile sensation when focusing. The enhanced hybrid autofocus supports phase and contrast detection, and the lens also supports auto exposure as compatible with a SONY camera like the PXW-FX9.

• Wide-angle zoom designed for full-frame E-mount cinema cameras, this lens is also compatible with full-frame cinema cameras such as the PXW-FX9.
• The included detachable servo unit provides convenient fingertip control for smooth, gradual zoom suitable for slow-motion drama or promotional video. The servo and manual control can be changed using the lens unit button, and while set to servo, you can control the zoom via the camera handle or grip zoom.
• The constant T3.1 maximum aperture delivers consistent performance throughout the zoom range for working in challenging lighting conditions.
• Two XA (extreme aspherical) elements and three aspherical elements are incorporated into the optical design and feature superior surface accuracy for effective control over astigmatism, field curvature and other spherical aberrations.
• The lens design features two ex-low dispersion elements that help reduce chromatic aberrations and color fringes to improve clarity and color neutrality.
• A Nano AR coating has been applied to reduce surface reflections, flare and ghosting to increase contrast and colour reproduction in bright lighting conditions.
• Linear response manual focus and enhanced hybrid autofocus deliver fast, quiet and accurate focusing performance to suit cinema applications.
• The rounded 11-blade diaphragm contributes to a pleasant bokeh quality when selective focusing techniques are employed.