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Sony FX6 + 18-110mm PZ F4
Sony FX6+18-110mm
The FX6 + 18-110mm PZ F4 SONY is a full-frame sensor camera also compatible with APS-C lenses as in this kit by applying a reduction factor to the lens. The FX5 features a 10.2-megapixel sensor capable of recording 4K UHD video at 120 frames per second. We also highlight the automatic detection technology of faces and eyes, with very fast tracking.
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Sony FX6+18-110mm
FX6 SONY Features
The SONY FX6 full-frame camera was developed to deliver versatile, cinema-style images in a truly compact form. With the ability to capture up to more than 15 stops of dynamic range, S-Cinetone SONY gamma for film skin tones and XAVC-I 4:2:2 recording up to 10-bit, the FX6 is ready to complement your FX9 or VENICE capture and nimbly shoot documentaries, stabilizers and drones on your own. The FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a variety of settings using a base ISO of 800, as well as a high-sensitivity ISO 12800 mode for nuanced scenes in low light.
Weighing just under 2lbs, the FX6's body is 2lbs lighter than the FX9 and measures 6 x 4.6", it packs a full-frame sensor into a body comparable to the S35 SONY FS5 sensor. While the FX6 fits perfectly into In addition to being a professional workflow on set, it also offers several features that are a great help for a user working with a single operator, such as fast and accurate phase detection autofocus with face detection and real-time eye autofocus, both automatic and manual. filter settings for fast exposure compensation and a 3.5" LCD monitor that features touchscreen access to key time-saving menu settings and versatile positioning for comfortable operation. In addition to improving overall camera stability, firmware update v1.10 adds 100p and 120p options to the slow and fast motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.
Versatile addition to the SONY Cinema line
As part of SONY's Cinema lineup, the FX6 shares key imaging features with established cameras such as the VENICE and FX9. Common basic attributes include a full-frame sensor, film-like color science, a compact and lightweight shape, professional connector interfaces, and advanced autofocus options.
Compared to the FX9, the FX6 differs in several specifications; but many FX6 specifications tick the same boxes and several improve the FX9:
- Matches FX9 video capture up to DCI 4K60
- Has the same S-Cinetone, S-Log3 and HLG gamma options
- Raw 16-bit outputs like FX9
- SONY E lens mount
- Offers the same options from 1/4 to 1/128 ND
- Also provides 2-channel XLR audio inputs
Differences of FX6 with FX9:
- 4K vs. 6K capture
- It has a single 12G/6G/3G-SDI BNC port, which trims the FX9's additional 3G-SDI port
- Incorporates a timecode port but lacks the genlock connector of the FX9
- FX6's enhanced specifications include:
An ISO range of 320 to 409,600 versus the FX9's range of 320 to 102,400
Higher frame rates of 120p in 4K and up to 240p in HD vs. higher 1080p for FX9 in HD
Dual card slots supporting durable, highly efficient CFexpress Type A cards or widely available SDXC cards, compared to the FX9's reliance on proprietary XQD cards and a single SD card option
Firmware update v1.10
- Adds 100p and 120p options to the slow and fast motion frame rate menu when the codec is set to RAW or RAW and XAVC-I
- Improves the overall stability of the FX6 camera
4K full-frame Exmor R CMOS sensor
The FX6's 10.2MP image sensor features backlighting for excellent low-light performance, 627 focal plane points for fast phase detection autofocus, and full-frame lens support that produces a rich, immersive appearance. The sensor's fast scanning speed minimizes rolling shutter artifacts and supports high frame rates and fast autofocus responses.
More than 15 stops of dynamic range
The Exmor R sensor also allows the FX6 to capture more than 15 stops of dynamic range in Cine EI mode with S-Log3, creating nuanced, high-resolution images.
Wide ISO range
Choose from a base ISO of 800, a high-sensitivity ISO of 12,800 for shooting in low light, and a maximum ISO of 409,600 for low-light setups.
Electronically variable ND filters
Set the FX6's built-in neutral density (ND) filter system to auto for properly exposed shots even in changing light conditions, or gently adjust the ND filter density manually in increments of 1/4 to 1/128 as you shoot; Both options will produce properly exposed images without affecting the chosen depth of field.
Advanced XAVC codec options
The FX6 is the first full-frame compact camera to offer UHD 4K 4:2:2 capture in the high-quality yet efficient XAVC-I codec. It also allows you to choose from a range of professional XAVC Intra and XAVC Long codecs at bitrates ranging from 35 to 600 Mb/s.
High frame rate selections
For slow-motion and fast-action looks, choose from full-frame rates ranging from:
- 1-60fps in HD resolutions at DCI 4K
- 100 or 120fps in HD via UHD 4K
- 150, 180, 200 or 240 fps in Full HD
Super35 options include:
- 1-60, 100 and 120 fps in Full HD
Expressive cinematic look
Sony's S-Cinetone gamma curve delivers a cinematic look with film colors, softer tones and pleasing skin tone reproduction. This cinematic look is not only available for on-camera viewing, but can also be captured and generated with minimal or no rating for a time-saving post-process. The S-Cinetone, S-Log3, S-Gamut3 and S-Gamut3.Cine options also streamline the process of matching FX6 footage to your VENICE or FX9 video and offer extensive color grading options.
Hybrid/phase detection fast autofocus
Compatible with over 50 native SONY E-mount lenses, the FX6's enhanced autofocus options include face detection and eye autofocus modes for fast focusing with extremely sharp accuracy, even in low-light environments. Phase detection autofocus achieves this accuracy using seven stops of transition speed and five stops of subject sensitivity.
Image stabilization and more with Catalyst and metadata
Pair the FX6 with SONY 's Catalyst Prepare/Browse software to use metadata to stabilize your image, automatically rotate gimbal footage, and add flags for easy clip filtering in post-production.
3.5" touchscreen LCD control
The FX6's 3.5" LCD monitor offers high-resolution viewing and the ease of touchscreen camera control. LCD quick menu controls include key settings such as codec, image scanning mode, image size and frequency, base sensitivity/ISO, shooting mode, and audio. Levels.
Reliable design and construction
Built with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and disperses heat efficiently to enable extended recording times. The exterior seams, buttons and interfaces have been treated with an updated seal that also improves the dust and moisture resistance of the camera.
4-channel audio recording
The FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input and the stereo microphone built into the camera's superior handle. This allows the simultaneous use of an external microphone to record its main audio source and the built-in microphone for ambient sound and/or voice memos by the operator.
Professional input/output interface
FX6 input and output ports include a selectable 12G/6G/3G-SDI output for flexible monitoring, 12-bit raw output via SDI, and an HDMI output. It also has timecode input and output for syncing multiple cameras and a built-in Wi-Fi module.
CFexpress media slots and multiple recording modes
The FX6's dual media slots accept robust, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II/UHS-1 SDXC cards. Please note that CFexpress Type A cards are required for 100/120fps UHD 4K capture and 150/180/200/240fps HD high-speed capture.
Modular design for carrying
The FX6's modular design allows it to reduce its compact body for gimbal or drone use, or it can be used with separately available accessories such as a smart grip and a smart handle for fingertip control when shooting with the handheld. A 3.5" LCD screen can be quickly placed on the camera in multiple locations for comfortable and ergonomic viewing.
Content browser mobile compatibility
When used with the separately available Content Browser Mobile app and a compatible smartphone or remote, the FX6's Wi-Fi function allows remote monitoring and focus/iris/zoom control.
Characteristics of the SONY lens18-110mm PZ F4
With a wide focal length range and a consistent f/4 aperture in a compact form factor, the SONY 18-110mm f/4G OSS lens offers videographers and cinematographers a versatile lens option for light operations. While the lens may look small, it has professional features to back it up. The focal length range of 18-110m covers moderately wide to narrow viewing angles. SONY's built-in smooth-motion optics take advantage of the lens' internal mechanics to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticed when adjusting the lens during recording.
The body of the 18-110mm SONY lens has separate focus, zoom and iris rings for full manual control. Simply pull the focus ring back and manual focus will be activated full-time. The focus ring itself has built-in cine standard gears for focus tracking compatibility. The zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so shock zoom can be achieved without delay. The iris operation can be performed automatically or by rotating the iris ring. By disabling the iris click switch, manual iris adjustments can be done smoothly.
For smaller, less robust cameras, the 18-110mm SONY lens includes a quick-release tripod stand. The foot is fixed towards the back of the lens for tripod use. Alternatively, a conventional lens mount can be placed near the front of the lens for compatibility with rod-based lens mounts. The filter thread will accept 95mm diameter round filters and the included lens cap. A sunshade is also included to minimize glare. The hood shutter design can be closed when the camera is not in use.
- Smooth motion optics
Sony's SMO (Smooth Motion Optics) design and construction minimize optical changes that can have a negative impact on image quality. Focus breathing is minimized by an internal focusing mechanism, focus change while zooming is eliminated by a precise focus tracking setting, and axial shift is minimized by a constant length design.
- Versatile zoom control
In addition to a smooth servo zoom, the mechanical manual zoom ensures precise control with immediate response. The desired viewing angle can be accurately achieved by avoiding excess or defect due to delay. The direction of the zoom ring can be easily changed as needed, smooth and slow zoom is supported, and an internal zoom mechanism means the length of the lens remains constant, regardless of focal length.
- Professional focus features
The focus ring slides back to quickly activate manual focus. Cine standard MOD 0.8 gear teeth are integrated into the focus ring, allowing the use of standard tracking approaches without requiring cumbersome focus gear attachments.
- Compact design
The lightweight form factor of the SONY 18-110mm lens contributes to the kind of mobility that active movie shooting demands. Small size and reduced weight can be advantageous when using gimbals and other types of support.
- Optical SteadyShot
Built-in Optical SteadyShot (OSS) image stabilization helps keep recorded images stable and free from excessive blur in a wide range of handheld or blocked shooting conditions involving camera shake.
- Climate resistance
A dust and moisture resistant design provides additional protection and ensures reliable operation in challenging environments and inclement weather. Shoot confidently in light rain or windy conditions.