Sony FX9 + SONY 28-135mm f4 G OSS

Sony FX9 + 28-135mm

Maximum creativity with a full picture

Get beautiful 4K images thanks to the creative freedom offered by oversampling the huge, high-resolution full-frame sensor. You'll be able to capture every detail of the scene with a shallow depth of field and an extraordinary bokeh blur effect with a true cinematic finish. More than 15 stops of dynamic range and dual base ISO allow you to capture every nuance, from subtle shadow detail to specular highlights, all with an impeccable color palette.

Capture the impossible

Enjoy maximum sharpness thanks to enhanced Fast Hybrid Autofocus that tracks your subject with unprecedented speed, smoothness and precision. Its impact is revolutionary in high-quality documentary, commercial, and event applications. Your ability to accurately capture your subject's expression is further enhanced with SONY's unique Eye AF* feature and real-time tracking**.

*Version 2.0 required.

**Version 3.0 required.

Shoot in maximum comfort and broaden your horizons

The FX9 transforms full-frame filmmaking with optimal ergonomics and advanced technology for easy on-the-go shooting. The world's first full-frame electronic* variable ND filter transforms the possibilities of shooting in variable lighting conditions. Built-in Wi-Fi and 12G-SDI outputs provide support for advanced workflows, while the XDCA-FX9 extension unit further expands the operational capabilities of the PXW-FX9. Firmware version 2.0 adds user and HLG 3D LUTs, while version 3.0 improves support for multi-camera applications thanks to the S700 protocol on Ethernet and the support of anamorphic lenses with the 2.0x and 1.3x uncompressed recording function in the viewfinder.

*As of September 2019

6K full-frame "Exmor R" sensor for stunning image quality

The back-illuminated 6K full-frame CMOS sensor also uses SONY 's Exmor R technology to improve sensitivity and reduce noise. When recording in DCI 4K* and Ultra HD, the ability to oversample and capture in 6K, coupled with powerful image processing, allows you to capture finer details and textures than you can see with a traditional 4K sensor, as well as reduce noise.

Compared to a 4K Super 35mm sensor, the FX9's 6K sensor has more than twice the surface area, providing a wider angle of view and making it easier to get a shallow depth of field. In addition, it allows you to shoot with Super 35mm lenses without any problems and capture 4K images in Super 35mm with all the advantages of this advanced image sensor.

* DCI 4K (4096 x 2160 17:9 recording) requires firmware version 2.0 or superior .

A superb dynamic range of over 15 stops for limitless expression

The FX9 offers an exceptional dynamic range of more than 15 stops, allowing unprecedented creative freedom in color grading and post-production tasks. Camera operators can concentrate on framing shots and rely on the FX9 to capture every nuance and detail through internal 4K 4:2:2 10-bit recording or built-in external 16-bit RAW recording. *In terms of grading, color editors will be able to enjoy a level of color and detail beyond the camera operator's usual viewing capabilities to create a final image that accurately portrays the ambience of the scene.

*RAW recording requires firmware version 2.0 or superior , XDCA-FX9 extension unit,  and an external recorder.

Dual base ISO for stunning images in any light

Digital image sensors work best at their base ISO, as no unnecessary gain (voltage) is added to the sensors' output. While a traditional camera features a unique base ISO carefully chosen to provide the optimal settings for a wide range of shooting scenarios, the FX9's dual ISO function offers much greater flexibility. Its low ISO base sensitivity of 800* is similar to that of the vast majority of digital cinema cameras and offers an excellent balance between dynamic range and sensitivity in the most common productions. Thanks to its high base ISO of 4000* secondary, the FX9 excels in low-light environments without the need to add additional gain. Low-light scenes can be shot using a high base and an ISO value of 4000 with image quality almost identical to that offered by a low base and an ISO value of 800. Combining the dual base ISO with the camera's variable ND electronic filter provides excellent creative control in almost any shooting environment, with unprecedented responsiveness to changing lighting conditions.

*ISO 800 and ISO 4000 sensitivities are used in S-Log3 and Cine EI modes.

Diagrams showing how single-base ISO and dual-base ISO technology works with the range of production cameras.

Cinematic color technology thanks to S-Cinetone™

The S-Cinetone functionality, included in the FX9 model, has been specifically designed to meet the needs of today's content creators through vivid mid-range colors, mesmerizing facial tones, and a softer-toned look, all developed with the same expertise offered by SONY's world-leading VENICE digital cinema camera. S-Cinetone delivers vibrant, intense content right out of the box, with subjects that stand out, while retaining a high level of latitude for post-production adjustments thanks to the high-performance full-frame image sensor.

Speed up your workflow with 3D user LUTs and HLG*

User-created 3D LUTs make it easy to customize the look of the FX9 to your preference. It is possible to import the LUT files from an SD card and store up to 16 files in the FX9's internal memory, as well as switch between them as needed. This is especially useful for recording in S-Log3, allowing you to preview the custom look you create in-camera.

The FX9 can record in HDR using S-Log3 or Hybrid Log-Gamma (HLG).

The S-Log3 standard is designed for the most demanding applications, capturing the maximum dynamic range of sensors and providing unique creative freedom for color grading.

The HLG* format produces content quickly without additional color gradations, making it an ideal choice for everyday recording, viewing, and editing workflows.

*Firmware version 2.0 or superior required

Supports dual HDR/SDR production*

When recording HDR content, the FX9's electronic viewfinder easily switches between HDR and SDR emulation modes. In addition, if the image brightness is adjusted in SDR emulation, the SDR gain in dB is recorded in the metadata so that it can be used in post-production of SDR content. Together, these changes make it easier to record in HDR, while supporting accelerated delivery of SDR content.

*Requires firmware V3.0 or superior.

HDR/SDR workflow diagram of the PXW-FX9 camera showing the workflow described above. FX9's EVF easily switches between HDR and SDR emulation modes, and metadata embedded in content. See the HDR/SDR guide for more information.

Selectable frame rates for Full Frame, Super 35 and Super 16

Choose your desired frame rate between 1 and 180 fps* for incredible time-lapse and slow-motion footage. The FX9 creates an immersive image with a wide-angle look and a shallower depth of field thanks to the combination of its full-frame sensor with fast motion and slow motion. Grab the audience's attention with this creative new look. The FX9 also offers quality priority setting** that maximizes Full HD picture quality through 6K full-frame or 4K Super 35 scan modes with advanced oversampling technology. Thanks to firmware version 3, FX9 also supports Super 16*** scan mode and allows control of the B4 lens (requires the optional LA-EB1 and XDCA-FX9 for lens DC power) with ALAC**** (Automatic Lens Aberration Compensation). The image scan area can be changed with the assignable button, which works like a digital extender.

The 2K Super 35 Picture Scan mode prioritizes frame rates, which could reduce image quality depending on the recording environment. In such a case, it is recommended to use the following settings.

EI Cinema Mode: Lower the EI gain level and raise the exposure level instead.

Custom Mode/SDR: Choose the Original (S-Cinetone) or STD (STD1 to 6) gamma category setting

*Up to 120 fps with version 1.0. Full HD 180fps technology requires firmware version 2.0 or superior . 

**In Full Frame Scan Mode: Selectable between 1 and 30 fps./In Super 35 Scan Mode: Selectable between 1 and 60 fps. It is recommended to use the quality priority setting if the desired frame rate is available.

Requires version 3 or superior; AF performance in S16 2K mode is not the same as in other picture modes.

The target must be compatible with the ALAC feature.

16-bit RAW capability*

The 16-bit RAW capability provides a huge increase in creative freedom during post-production with the ability to take advantage of the FX9's more than 15 stops of dynamic range. The FX9 supports exporting 16-bit RAW footage in 4K and 2K resolution using the optional XDCA-FX9 extension unit with a single BNC cable connection with compatible external RAW recorders**.

*RAW output will be enabled with firmware version 2.0 or superior .

**Compatible  third-party recorders will be announced.

Capture all the action with enhanced Fast Hybrid Autofocus

You'll be able to easily track fast-moving subjects with razor-sharp focus, even when using wide-angle lens aperture settings to maintain a shallow depth of field with the camera's full-frame sensor. Enhanced Fast Hybrid AF, developed by SONY's α camera engineers, combines phase-detection AF for fast, accurate subject tracking with contrast AF for exceptional focusing accuracy. In addition, the face detection capability intelligently recognizes and focuses on faces.

The specialized 561-point phase-detection autofocus sensor covers approximately 94% of the width and 96% of the height of the image area, enabling accurate tracking autofocus, even with fast-moving subjects.

Eye AF and real-time tracking*

The FX9 is the world's first professional camcorder with SONY's leading eye-tracking technology**. High-speed, high-precision image processing maintains sharp focus. During an interview or portrait shoot, you can rely on Eye AF to capture even the subtlest expressions of your subject while you focus on the interview and framing. Simply turn on Face or Eye AF priority for the best AI-based tracking.

With real-time tracking, simply tap a subject in the viewfinder or select a face with the FX9's joystick and the camera will automatically track and maintain focus.

*Eye AF requires firmware version 2.0 or superior . Real-time tracking requires firmware version 3.0 or superior .

**As of April 2020.

FX9 AF GUI

Customizable autofocus settings

The FX9's comprehensive autofocus settings provide maximum creative flexibility to integrate with any project.

The 7-level autofocus transition speeds range from a quick setting, which quickly switches between different subjects, to a slow setting, where the speed is reduced to suit a moderate-speed shooting style more typical of historic TV productions.

The subject shift sensitivity with 5-level autofocus ranges from a lock setting, which ignores other moving subjects in the frame, to a responsiveness setting, which shifts focus from subject to subject, ideal for keeping up with race cars as they accelerate.

Autofocus with SONY E-mount lenses

Enjoy smooth, responsive autofocus with all of SONY's E-mount lenses, including our FE C 16-35mm T3.1G cine lens with cinema optics, which delivers top-notch optical performance and operability for the most demanding cinematography applications. Advanced E-mount locking lever operation allows for quick and easy lens swapping, as well as greater stability and safety with larger lenses.

It is the world's first electronic variable ND density filter for a full-frame sensor*

Get more creative control with the unique built-in Variable Neutral Density (ND) electronic filter, a first* for professional full-frame camcorders. Opt for automatic adjustment or manually adjust the filter density in gentle 1/4 to 1/128 increments while recording, so you get perfectly exposed images without affecting the depth of field as lighting conditions change. Make use of higher density adjustment with a slower shutter speed for stunning artistic effects.

*As of September 2019

Proven ergonomics and accessory compatibility

The FX9 chassis is the final tweak to the revolutionary FS7 design, so you can be sure to shoot from virtually any position, while also enjoying compatibility with many of the FS7's many accessories, including U-series batteries, chargers, E-mount lenses, as well as lens arms and adapters*.

The control arm is easily adjusted without tools, so the FX9 effortlessly adapts to your preferred posture and shooting style, whether it's handheld, waist or shoulder. The smart grip also offers an updated design, more compact than before, but with the main recording controls, allowing you to focus on the scene without distractions. The FX9 model also provides a micro USB interface for improved responsiveness and a better grip with a hand strap.

*BP-U30 and XDCA-FS7 are not compatible with FX9.

Fast, tactile menu control*

The FX9's LCD viewfinder has a quick access control menu to frequently used functions. With a single tap, you can switch between core settings, including:

The codec, the player's scan mode, the image size, and the frequency.

Base ISO/Sensitivity

Recording Mode

Audio Levels

The FX9's new quick access control menu, added in firmware V2, uses a user interface similar to that of SONY's acclaimed VENICE digital film camera.

*Requires firmware version 2.0 or superior .

Features of the 28-135mm f4 G OSS FE PZ lens

The 28-135mm f4 G OSS FE PZ SONY Lens, designed to meet 4K production needs, the 28-135mm SONY FE PZ f/4G OSS lens is a powerful zoom lens that covers wide-angle to telephoto perspectives while adding many features to your full-frame, APS-C, or camcorder or even E-mount camera photography system. The lens features a motorized zoom control with variable speed and the ability to reverse the direction of zoom rotation. Power zoom function is an SSM (Supersonic Wave Motor) unit that allows for precision and quiet operation. Focusing noise is also minimized through the weight reduction of the focus element group and the use of a linear motor. Iris function is also designed to be smooth and quiet for the demands of cinematography.

Angle of view variations while centering (breathing) and axial shift while have been reduced, while five aspherical elements and three ED elements work with advanced multi-coating technology to minimize distortion and chromatic aberrations while contributing to sharper overall images with higher contrast and zoom clarity.

Independent zoom, focus and iris (aperture) control rings are provided for and focus mode can be switched from auto to manual by sliding the focus ring forward so that control is maintained at all times. The three control rings have been designed to provide the right amount of pairs for comfortable, responsive handling and the tone of the scalloped on the rings has been designed for comfortable, slip-free control.

A constant maximum aperture of f/4 delivers consistent performance throughout the zoom range and is especially beneficial when working at higher zoom magnifications in low-light conditions. Also benefiting from working in low light or in the long end of the zoom range is SteadyShot optical image stabilization, which works to minimize the appearance of camera shake by up to four stops of shutter speed.

Developed 8-speed zoom provides a focal range of 28-135mm, covering wide-angle to telephoto perspectives

Motorized zoom designed for film productions and full-frame cameras

Features original SONY Nano AR coating technology designed to effectively suppress reflections that can cause flare and shadows. The precisely defined regular nanostructure enables precise light transmission, contributing to high-quality images, even more so than coated lenses that use an irregular nanostructure

Three control rings (for zoom, focus, iris) offer manual control for demanding large-format productions. Focus mode can be switched from auto to manual by simply sliding the focus ring forward so that control is maintained at all times. The zoom speed can be precisely controlled over a wide range, with U-turn zoom rotation capability. The three control rings have been designed to provide ideal torque for comfortable and responsive handling. Even the tone of the scalloped on the rings has been designed for comfortable, slip-free control

Iris' advanced SONY control and linear motor AF system achieve quiet focusing that is also extremely sensitive. Part of the reason that focus control is so quiet is that the original SONY motors are linear with no contact, no gears or mechanical coupling to generate noise

World's first SSM (Supersonic Wave Engine) unit in a cine lens for smooth zoom and iris quiet control

It provides uniform tracking across the entire zoom range at any speed and eliminates any axial image shift. Zoom is quiet and responsive thanks to the advanced mechanical actuator design

It features an optical control design and technology inherited from professional SONY camcorders that ensure there is no breathing while centering

Constant F/4 maximum aperture allows for greater consistency throughout the zoom range and the benefits of working in low-light conditions with longer focal lengths

Optical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four stops of shutter speed to benefit from handheld shooting in low-light conditions and at higher zoom magnifications

Three extra-low dispersion elements and five aspherical elements help reduce chromatic aberrations and distortion throughout the zoom range while contributing to overall sharpness and image clarity