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Sony A7R IV + 40mm f2.5G
Sony A7R IV + 40mm f2 G
The A7R IV + 40mm f2 G Top Resolution SONY Kit with the latest generation sensor from SONY, as well as the wide angle lens of the G series from SONY, small and discreet equipment when it comes to being able to take your equipment wherever you want with Top quality
Thanks to the Renove Plan valid until 31-03-24, take this purchase to the cart and get a direct discount of -300 € for it
With this purchase you will receive as a GIFT:
- Serplus VIP Maintenance
- Master Photo + Video RBG School , Course valued at 480 €
Thanks to Welcome to Alpha, SONY will refund you €300 on your next purchases and you will receive an additional 1 year warranty
More info at: SONY PROMOTIONS
Sony A7R IV + 40mm f2 G
All information about SONY A7 RIV
With the Camera SONY A7r IV we are facing the fourth generation of the family SONY A7R highlights the inclusion of a CMOS sensor of the CMSI type Exmor R , backlit and updated reaching a mega resolution of 61 MP to all this is joined by a BIONZ X image processor of the latest generation , improved to the qeu we already knew and that provide impressive image results with a quality not seen until now
Aspects that we can highlight of the new Camera SONY A7r IV is its magnificent dynamic range of 15 stops and we can not of course forget the speed of the AF, with its 567 points of phase detection that provides a reliability and precision hitherto not seen in a camera of these characteristics. Real-time AF and tracking AF. are characteristics that we find in the Chamber SONY A7r IV
The speed of the burst reaches an interesting 10 frames per second, so that even in the case of a camera of this resolution do not escape other disciplines that until now perhaps had not been raised with a similar camera.
Video quality goes up to 4K at 30p, with motion AF technology highly developed to achieve the same results and efficiency as in still photography
Sony also made a great effort to get a sensor that can perform very well at high ISOs taking the range of the same from ISO 100-32000 to be able to work in different lighting conditions.
And could not miss the almost necessary stabilizer incorporated in the body of the Camera SONY A7r IV the so-called SteadyShot INSIDE capable of compensating the 5 axes, and compensate up to 5.5 steps
Lens mount | SONY E |
Camera format | Full frame (1x crop factor) |
Pixels | Current: 62.5 Megapixel Effective: 61 Megapixel |
Maximum Resolution | 9504 x 6336 |
Aspect ratio | 1: 1, 3: 2, 4: 3, 16: 9 |
Sensor Type | CMOS |
Sensor size | 35.7 x 23.8 mm |
Image file format | JPEG, RAW |
Bit depth | 14-bit |
Image stabilization | Sensor-Shift, 5-axis |
ISO sensitivity | Auto, 100 to 32000 (Extended: 50 to 102400) |
Shutter speed | Mechanical shutter 1/8000 to 30 seconds Bulb mode 1/8000 to 1/4 second in movie mode |
Measurement method | Central weighted average, Weighted highlight, Multiple, Spot |
Exposure modes | Aperture priority, manual, program, shutter priority |
Exposure compensation | -5 to +5 EV (1/3, 1/2 EV steps) |
Measuring range | -3 to 20 EV |
White balance | Auto, Cloudy, Color Temperature, Custom, Daylight, Flash, Fluorescent (cool white), Fluorescent (Daylight), Fluorescent (Daylight), Fluorescent (warm white), Incandescent, Shade, Underwater |
Continuous shooting | Up to 10fps at 61MP for up to 68 exposures (JPEG) |
Time-lapse recording | Yes |
Timer | 2/5/10 second delay |
Recording modes | XAVC S UHD 4K (3840 x 2160) at 23.976p/25p/29.97p [60 to 100Mb/s] Full HD (1920 x 1080) at 23.976p/24p/25p/29.97p/50p/59.94p/100p/120p [16 to 100Mb/s] .AVCHD Full HD (1920 x 1080) at 50i / 59.94i [17 to 24 Mb/s] |
External recording modes | 4: 2: 2 DCI 8-bit 4K (4096 x 2160) at 23.976p / 25p / 29.97p Full HD (1920 x 1080) at 23.976p / 50i / 50p / 59.94i / 59.94p |
Recording limit | Up to 29 minutes |
Video Encoding | NTSC/PAL |
ISO sensitivity | Car: 100 to 12800 Manual: 100 to 32000 |
Audio recording | Built-in microphone (stereo) External microphone input (stereo) |
Type of approach | Auto and manual focus |
Focus mode | Auto AF (A), Continuous Servo (C), Direct Manual Focus (DMF), Manual Focus (M), Single Servo AF (S) |
Autofocus points | Phase detection: 567 Contrast detection: 425 |
Autofocus sensitivity | -3 to +20 EV |
Viewer type | Electronics (OLED) |
Viewfinder size | 0.5 " |
Viewfinder resolution | 5,760,000 points |
Viewfinder point of view | 23 mm |
Viewfinder coverage | 100% |
Enlarging the viewfinder | Approx. 0.78x |
Diopter adjustment | -4.0 to +3.0 |
Monitor size | 3 " |
Monitor resolution | 1,440,000 points |
Monitor Type | LCD tilting touch screen |
Built in an instant | No |
Flash modes | Auto, Fill flash, High speed sync, Off, Back sync, Red-eye reduction, Slow sync, Wireless |
Maximum synchronization speed | 1/250 second |
Flash compensation | -3 to +3 EV (1/3, 1/2 EV steps) |
Dedicated flash system | S-TTL |
External flash connection | Hot shoe, PC terminal |
Memory card slot | 2 x SD / SDHC / SDXC |
Connectivity | 3.5mm Headphone, 3.5mm Microphone, HDMI D (Micro), USB 2.0 Micro-B, USB 3.0, USB Type-C |
Wireless | Wi-Fi Bluetooth |
GPS | No |
Operating temperature | 32 to 104°F / 0 to 40°C |
Battery | 1 x NP-FZ100 Rechargeable Li-ion, 7.2 VDC, 2280 mAh (approx. 530 shots) |
Dimensions (W x H x D) | 5.07 x 3.8 x 3.05" / 128.9 x 96.4 x 77.5mm |
Weight | 665 g |
Features SONY 40mm f2.5 lens
A comfortable focal length with a particularly portable design, the SONY FE 40mm f/2.5 G is a versatile prime lens; An ideal single focal length option for a wide variety of situations. The intelligent construction of this lens and the sophisticated optics of the G Series combine with intuitive operation and a sleek form factor to make it an ideal choice for any application, from streets to landscapes and travel.
Paired set of compact prime numbers
Together with the FE 24mm f/2.8 and 50mm f/2.5G lenses, these three lenses form a cohesive trio with similar style, image quality and ergonomics:
All lenses prioritize a compact profile with an emphasis on intuitive operation; Each features a manual opening ring along with other touch controls.
All three lenses share the same 49mm filter ring diameter.
Matching aluminum finish with stylish focal length and aperture engravings, aperture and focus rings, and matching metal sunshades.
G Lens Series
Three aspherical elements promote more uniform sharpness throughout the frame by suppressing spherical aberrations and distortions.
The rounded 7-blade diaphragm contributes to a pleasant bokeh quality when selective focusing techniques are employed.
Focus control for stills and video
Two linear motors deliver fast and accurate autofocus performance, along with capable subject tracking for working with fast-moving subjects. This AF system is also particularly quiet to suit its use in cinema applications.
The internal focus design limits the overall length of the lens for faster and more responsive focusing.
The linear response manual focus control offers more natural handling and an AF/MF switch is located on the lens cylinder for touch control over this setting.
Customizable focus hold buttons are present on the lens cylinder for intuitive touch control and quick access to selected settings.
Impressive close-up performance for working with close-up subjects; this lens has a minimum focusing distance of 9.8" with MF (11" with AF), resulting in a maximum magnification of 0.23x.
Sleek yet robust design
The click can be removed from the physical aperture ring to achieve smooth and quiet aperture change for the benefit of video applications.
The lens measures 1.8" and weighs 6.1oz, making it a great portable option that fits well into full-frame and APS-C bodies.
The design sealed against dust and moisture allows to work better in adverse conditions.
The fluorine-coated front element is easy to clean and resists dust, moisture and fingerprints.
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