Panasonic AW-UE160

video camera PANASONIC AW UE160

4K PTZ camera for an era of enhanced creativity and pursuit of visual expression. The demand for content continues to grow

The AW-UE160 can be used in a variety of situations, including when people flow and cost control are required, including recording large-scale events and studio recording and streaming.

By combining a studio camera with a PTZ camera, we revolutionize the video content industry with a unique style of video production that can be expressed through a variety of recording techniques, industry-leading recording performance with a variety of new features, and scalability supported by the latest international standards and a wide range of protocols and I/Fs.

• Uncompromising firing performance and operability

High sensitivity of F14/2000 lx, equivalent to a studio camera. Noise reduction and image quality enhancement are done by the newly developed image processing engine that is also used in LUMIX. By combining a variety of functions, including the phase-detection autofocus (PDAF) function, a new feature of the PTZ camera that allows high-speed focusing on moving subjects, the camera can produce high-quality videos in all kinds of situations, such as shooting in dark places and capturing moving subjects. The new PTZ mechanism provides a high-precision operating feel while maintaining a compact body to support the delicate photographic techniques of professionals and contribute to uncompromising video recording.

• High sensitivity of F14/2000 lx, equivalent to a studio camera

The high sensitivity of the F14/2000 lx enables clear, clean images even when capturing moving subjects in low-light rooms such as stages and live venues. The sensitivity can be adjusted to either Normal mode or high sensitivity mode, depending on the shooting location and scene.

• Next-generation motor maximizes image sensor performance and improves image quality and AF performance

The camera uses a next-generation image processing engine, also used in the LUMIX GH6, with improved processing power. The high-pixel image data output of the Type 1 (1") (effective size) MOS sensor, which offers an excellent balance between proper depth of field, high image quality, and high sensitivity, is processed at high speed to improve the signal-to-noise ratio.

In terms of autofocus (AF) performance, subject-detection performance has been vastly improved through faster processing of calculations and improved AF algorithms, and high-precision AF is achieved by discriminating between movement and subject characteristics. It also offers high video processing performance and enables more unique video expression with resolution performance, high-sensitivity performance, and color reproduction that doesn't compromise your commitment to video image creation.

* At 4K24p (17:9 aspect ratio)

• New Noise Reduction (sD)

It makes a more natural, three-dimensional representation with less noise than ever before, with improved performance in suppression of unpleasant low-frequency color noise and graininess of pleasant noise.

• 3DNR without after-imaging

It significantly improves the ability to distinguish between still and moving areas and eliminates unwanted noise while suppressing subsequent images.

• Smart New Detail

It analyzes the characteristics of the subject pixel by pixel and determines flat/detailed/edge areas. By controlling image processing based on the results, detailed areas are rendered with a greater sense of resolution, while edge areas are suppressed from unnatural fringes (shooting phenomenon) caused by image processing. By performing proper image processing according to the subject, the camera gains true descriptive power with high reproducibility.

•  Equipped with newly developed PDAF (Phase Detection Autofocus)

Equipped with a new AF system that combines phase-detection AF (phase detection) with contrast (contrast detection) AF. The camera's fast focusing speed and high focusing accuracy allow you to track subjects and capture in-focus images even in dark places, whether you're continuously focusing on a moving subject or changing focus on multiple subjects.

•  Equipped with a newly developed PTZ mechanism

A new PTZ mechanism has been developed to keep the body compact while incorporating a large lens for high-sensitivity functions and studio cameras. The camera is quiet and unobtrusive, and its high static accuracy provides high operability that allows you to focus on exactly what you want.

• Equipped with moiré reduction function via optical low-pass filter

V-Log compatible, which is used in PANASONIC 's high-end VariCam cinema cameras and LUMIX mirrorless SLR cameras. The wide dynamic range and wide color gamut provide images suitable for color grading. When used in conjunction with our V-Log-equipped camera recorders and studio cameras, video production with consistent image creation is possible. In addition, two configurations, V-Log and V-709, can be selected independently for each output interface. It simultaneously outputs 4K V-Log video for color grading while generating V-709 Full HD video for on-site monitoring.

• Compatible con V-Log

V-Log compatible, which is used in PANASONIC 's high-end VariCam cinema cameras and LUMIX mirrorless SLR cameras. The wide dynamic range and wide color gamut provide images suitable for color grading. When used in conjunction with our V-Log-equipped camera recorders and studio cameras, video production with consistent image creation is possible. In addition, two configurations, V-Log and V-709, can be selected independently for each output interface. Simultaneously output 4K V-Log video for color grading while generating V-709 Full HD video for on-site monitoring.

• What is Log?

It has a wide color gamut and wide dynamic range, and registers all brightness as evenly as possible, resulting in a low-contrast image in appearance.

The color grading tool allows a high degree of freedom in creating images using 3D LUTs and CDLs.

V-Log is a registration curve developed for VariCam cinema cameras based on our imaging philosophy and is used in many of our cameras.

• HDR (HLG) compatible

HDR (High Dynamic Range) support that prevents bleaching and blackout and produces close-to-eye images. HLG/BT 2020 compliant.

• Equipped with Optical Image Stabilizer (OIS) and Electronic Image Stabilization (EIS)

In addition to conventional 2-axis in-lens image stabilization (Pitch/Yaw), which relies on fine-tuning the lens, the camera also features roll correction that uses electronic image processing technology to provide highly effective correction. Vibrations on the mounting surface caused by installed audio equipment, opening and closing doors, etc. are automatically compensated to ensure a stable image.

• Perform state-of-the-art video production with a variety of recording methods and features

First PTZ camera equipped *1 with the SMPTE ST2110*2 standard, 5G mobile router (USB thethering support) for high-speed, high-capacity video transmission (USB tethering support, return function for use as a prompter for performers, and two XLR channels for audio output to enable high-quality recording. It also supports essential features for use with a studio camera, such as a 2x maximum high-speed shooting function and a tally light on the back panel.

The AW-UE160, which has been upgraded to specifications equivalent to a studio camera, while maintaining the flexibility of a PTZ camera that can be freely configured in any position and angle, can be applied to both the use and replacement of a studio camera, giving users a wide range of options for future video expression and production.

*1: As of October 2022, based on our research.

*2: Activation with AW-SFU60G software key (released at the same time as AW-UE160) is required.

The industry's first*1 SMPTE ST2110*2 standard support

The first PTZ camera to support the SMPTE ST 2110 standard for video transmission over IP networks*1. By building an IP-based studio system in combination with the IT/IP PLATFORM "KAIROS" or AK-UC4000/AK-UCU600/AK-NP600, it is possible to improve the efficiency of the video production site.

*1: As of October 2022, based on our research.

*2: Activation with AW-SFU60G software key (released at the same time as AW-UE160) is required.

• SMPTE ST 2110 Professional Media on Managed IP Networks

The SMPTE standard is an international standard that brings together several standards for video communication over IP networks. The standardization of this standard has made it possible to handle individual data such as video, audio, and auxiliary data, allowing for highly accurate synchronization.

The shift from SDI to IP-based transmission is underway in the broadcast and video industry as a result of the standardization of the SMPTE ST2110 standard.

• *1 Industry's First Return Input Function

The camera can be used as a prompter for return images and manuscript screens where the performer verifies the video being transmitted or transmitted on the spot*2, allowing adjustment and shooting at the target angle when composing chroma keys or when linking with AR/VR systems.

*1: As of October 2022, based on our research.

*2: SMPTE ST2110 is required to build the system; use of SMPTE ST2110 requires activation with AW-SFU60G software key (sold separately).

• Supports 2x high-speed output

The camera captures smooth and beautiful slow-motion videos when shooting high-speed at FHD 120fps so you don't miss a single frame of the decisive moment.

*1: FPS is a unit of frames processed per second.

*2: Output from HDMI output or 2 SDI outputs (3G SDI OUT1, 3G SDI OUT2). When produced using 2 SDI outputs, a separate slow-motion server is required.

• Equipped with 2 XLR channels for audio input to enable high-quality recording

The camera is equipped with two XLR channels for audio input, allowing audio input from the left and right sides of the venue with high-performance microphones. It can also be used for filming at live performances, theatrical performances, and other sites where acoustics are vital.

• Industry's first* 5G router (with USB tethering support for high-speed, high-capacity video streaming)

4K video data can be transmitted wirelessly on the spot by connecting a 5G mobile router or other devices via USB to the terminal on the back panel. It is also possible to stream events and live streams from places where cables are not laid or from outdoor event venues.

• Equipped with a tally tail light

The tally, which was only available on the front (subject side), is now also available on the rear so you can see the camera taking photos from any angle. The tally light can be connected to the front and rear sides to adjust the brightness and select ON/OFF. The yellow tally lamp can be used for any number of applications, such as when there are a large number of cameras, when multiple cameras are used on site, or when simultaneous transmission and recording are required.

• FreeD*1 support for AR/VR systems*2

It is possible to connect augmented reality (AR) / virtual reality (VR) systems by issuing FreeD-compatible commands. The camera's tracking information (PAN/TILT/Zoom/Focus/Iris) is output along with the sync signal, making it easy to build a system without an encoder.

*1: FreeD is a protocol that generates camera tracking data for AR/VR systems.

*2: AR: Augmented Reality; VR: Virtual Reality.

• Crop function (+ zoom)

It is possible to crop-zoom and cut video at the same time as broadcasting an entire video shot in 4K. The crop position can be specified from up to three locations and can be easily operated from the AW-RP150 camera's remote controller or web browser screen.

• Flexibility to freely set positions and angles 

It is possible to shoot from high angles using ceiling mounts and totem poles, as well as low angles from in front of the audience or from the stage. It can be installed in space-saving areas where equipment cannot be placed or where it is difficult to deploy personnel, thus improving efficiency in video production.

• Ease of use and versatility reduce the stress of shooting on-site 

Equipped with a wide variety of I/Fs and protocols that can be connected to all types of sites and imaging systems and reduce the introductory burden to building existing systems. The use of scene files, color matrix control, and other features that make it easy to match images and colors with existing system cameras and PTZ cameras, as well as free PANASONIC software and Remote Operation Panel (ROP), which enable integrated management of existing cameras, It makes mixed operation with the system's cameras even easier.

• Various I/Fs and protocols supported

It supports HDMI, 3G-SDI, and IP output, as well as 12G-SDI output and fiber optic output. Also equipped with two XLR channels for audio input. The output method can be selected to suit the operation, making it easy to add to an existing imaging system or build a site-tailored system.

In addition, there are no restrictions on the video output method, even when broadcasting from multiple terminals simultaneously, allowing simultaneous operation in 4K. For example, it is possible to configure a system that works with three main lines (12G-SDI), one for confirmation (3G-SDI OUT1), and one for monitor display (3G-SDI OUT2).

• High image quality and low latency with high-bandwidth NDI® support

High-Bandwidth NDI and High-Efficiency Low-Bandwidth NDI®® | HX, which encodes and transmits high-quality video in real-time, are included. High-bandwidth NDI® streams 4K video at up to 250 Mbps and Full HD video at up to 125 Mbps, enabling high-quality, low-latency live video streaming.

• SRT compliant for stable video transmission over public lines

It supports SRT, a state-of-the-art video transmission protocol that offers high security, suitable for unstable network environments.

• Direct streaming via RTMP/RTMPS

RTMP/RTMPS* is supported to allow direct uploading of video to live streaming services such as YouTube Live and Facebook Live. This means that a live stream can be streamed directly from the camera.

• Smooth Imaging & Color Matching

Scene file functions can record and update various camera settings in eight scene formats. They can also be copied to multiple cameras via a PC*.

• The color matrix control allows for sensory adjustment of color on the screen, making it easy to match colors.

The workload for image and color matching can be reduced, reducing the time and effort required to get the system in and ready to shoot.

* Copying scene files using AW-RP150GJ/AK-HRP1010 and SD card will be supported in the future.

• Waveform Display Function

It is possible to configure the monitor display to overlay waveform on the monitor output (3G SDI OUT2). The waveform can be selected at the right/bottom right/superior left/bottom left superior of the monitor screen to be displayed, making it easy to make adjustments while viewing the actual image.

• Horizontal Level Indicator Display Function

A horizontal level meter has been added to the OSD/WEB screen so that you can check whether the installation is level or not.

• Compatible with free download PANASONIC software

PTZ cameras can be controlled intuitively on the PC screen. Adjustments can be made for pan, tilt, zoom, as well as focus, iris, gain, white balance, shutter, ND filter, and other camera image quality settings. In addition, up to 100 presets with thumbnails can be displayed for quick retrieval.

EasyIP Plus Configuration Tool

Detects and displays a list of PTZ cameras PANASONIC connected to the PC. You can check camera information such as IP address and version number and configure camera settings, and firmware updates are easy.

• Compatible with PANASONIC Remote Control Panel (ROP)

By using ROPs from PANASONIC such as AK-HRP1015, AK-HRP1010*, and AK-HRP250GJ*, PTZ cameras and studio cameras can be operated and managed with the same equipment, allowing those familiar with studio camera operation to feel comfortable.

*Only IP connection is available with AW-UE160W/K. For other cameras that can be connected to multiple ROPs, please refer to the "List of Driver Comparison Models. PDF"