Sony A7s II + 24-70mm f4 + 70-200mm f4
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  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4
  • Sony A7s II + 24-70mm f4 + 70-200mm f4

Sony Alpha 7s II + 24-70mm f4 + 70-200mm f4

Sony A7s II + 24-70mm f4 + 70-200mm f4

The SONY A7s II + 24-70mm f4 + 70-200mm f4 is a great opportunity to work with the 12Mp sensor and high quality with a lens of excellent luminosity. In addition to being able to offer it at such a competitive price without losing the quality that we are used to SONY is a fantastic opportunity.

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Sony Alpha 7s II + 24-70mm f4 + 70-200mm f4

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Sony A7s II + 24-70mm f4 + 70-200mm f4

There are many features to highlight of this new camera SONY Alpha 7 S II, it is the model as the manufacturer likes to call SONY ILCE-7SM2 and we will point out the highlights of this fantastic mirrorless camera

It is a full-size or Full Frame Exmor CMOS sensor camera with a resolution of 12.2 million pixels, powered by a spectacular BIONZ X type image processor

With an incredible ability to adjust ISO values unimaginable a few years ago, you can naturally choose between 100 to 102,400 ISO, maintaining incredible results in the quality / noise ratio, as well as you can choose, expand these values in a digital way to the spectacular 50-409,600 ISO

It has also been possible to improve the recording of video in 4K quality with full pixel reading and without pixel grouping in such a way that the resulting files are of much higher quality, It is possible to eliminate in a very interesting way the moiré effect and aliasing. You can also generate files in Full HD up to 120 FPS, as well as be able to work with 4:2:0 output.

And of course it is compatible with external recorders, type Atomos Shoghun with these you will get an output of the type 4: 2: 2

As happened in the sisters of the series SONY Alpha 7, this version of the SONY Alpha 7s Mark II incorporates a spectacular 5-axis image stabilizer, which makes it very effective in recordings that you decide to make by pulse, getting balanced and high quality images, especially useful when using tele or cinema type lenses, correcting both horizontal and vertical shakes, being effective the five axes, whatever the lens mounted even with adapters and lenses of other brands

The camera comes equipped with an eye-level monitor of 1.3 Cm. and size with a magnification of 0.78x and is of the OLED XGA type, this viewfinder is composed of 4 lenses of the spherical type, offering 100% of the coverage and adding the data with which you have configured the camera, to have absolute control with an incredible color fidelity; so I ate a large viewfinder screen on the back of the camera of 7.5 CM of the TFT type with more than 1.2 Million point allow you a view of different angles, being foldable up to 107º up as well as 41 down, ideal for the most uncomfortable recording positions

Another of the highlights of this camera SONY A7s II, is its high dynamic range capable of working with profiles such as S-LOG-3, S-Gamut3, S-log3 and S-Gamut3.Cine, having total control of the color of your most professional recordings, all these profiles are paired well under a Cineon-type editing environment, the most used in professional fields If you are more traditional and prefer to use the classic S-Log2 profiles are equally available

Of course the camera still retains the essence of SONY Alpha 7, that is, it is still a very small and portable camera, it also incorporates these equally remarkable functions.

Enhanced Zebra possibility to work with S-Log gamma profiles and aids in monitoring exposure values in high-contrast scenes. And at the other end we would have the possibility of Gamma Display Assist, showing on this occasion a natural contrast when recording in S-Log

You will also have the option to record with time codes, to facilitate your post-production work, with Record Run type variants, and the free travel, these time codes are also taken out through the HDMI

Of course it is a connected camera, through WiFi and NFC, in such a way that you can have the availability of the images immediately to your mobile devices

  • 50mm f1.8 SONY lens

Although it is a full-frame lens, this model is compact and weighs only 186 grams, so it will not be a load, neither mounted on the camera nor stored in the bag, and will always be ready when you need it. The size and weight of this lens make it the perfect complement to α7 series bodies, offering superior portability and ease of use.

The sophisticated metal-rimmed design brings solidity and durability to the lens.

Target Specifications Assembly SONY E-mount
  Format 35 mm full frame
  Focal length (mm) 50 mm
  Focal length equivalent to 35 mm (APS-C) 75 mm
  Lens groups/elements 5/6
  Viewing angle (35 mm) 47゚
  Viewing Angle (APS-C) 32°
  Maximum aperture (F) 1,8
  Minimum aperture (F) 22
  Opening sheets 7
  Circular aperture Yes
  Minimum focusing distance 0.45 m (1.48 ft)
  Maximum magnification ratio (x) 0.14 x
  Filter diameter (mm) 49 mm
  Hood type Bayonet type, rounded shape
Size and weight Dimensions (W x H x D) 68.6 x 59.5 mm (2-3/4 x 2-3/8 in.)
  Weight 186 g (6.6 oz)

FP-000010084

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